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wherein may be seen collected together, by the side of the sword of the Constable Anne, the likeness of Luxembourg on horseback, with his proud and piercing glance, as well as the full-length portrait of Charlotte Marguerite de Montmorency, Princess de Conde, in widow's weeds, there is also a large and magnificent picture, representing a young woman of ravishing beauty, with perfectly regular features, with the loveliest bright chestnut hair, grey eyes of the softest expression, a swan-like neck, of a slight and graceful figure, painted with a natural grandeur, and embellished with all the attractions of youth, enhanced by an exquisite air of coquetry. She is seated in an easy attitude. One of her hands, carelessly extended, holds a bouquet of flowers; the other rests upon the mane of a lion, whose head is drawn full-face, and whose flaming eyes are unmistakably the terrible eyes of Conde when seen with his sword drawn. Here we behold the beautiful Duchess de Chatillon at twenty-five or twenty-six, and very nearly such as she has taken care to describe herself in the _Divers Portraits_ of Mademoiselle de Montpensier. The head stands out wonderfully. It would be impossible to instance a more charming countenance, but it is somewhat deficient in character and grandeur, and quite different from that of Madame de Longueville. The latter's face was not so regularly symmetrical, but it wore a far loftier expression, and an air of supreme distinction characterised her entire person. Madame de Chatillon and Madame de Longueville had been brought up together, and very much attached during the whole of their early youth. By degrees there sprung up a rivalry of beauty between them, and they quarrelled thoroughly when Madame de Longueville perceived after the death of Chatillon, that the young and beautiful widow, at the same time that she was welcoming very decidedly the homage of the Duke de Nemours, had also evident designs upon Conde. Madame de Longueville had her own reasons for not being then very severe upon others, but she knew the self-seeking heart of the fair Duchess, and she was alarmed for her brother's sake. She feared lest Madame de Chatillon, having great need of Court favour, might retain Conde in the engagements which he had with Mazarin, while she herself was forced to drag him into the Fronde. The quarrel was renewed in 1651, as we have seen, and it was in full force in 1652. Madame de Chatillon and Madame de L
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