wherein may
be seen collected together, by the side of the sword of the Constable
Anne, the likeness of Luxembourg on horseback, with his proud and
piercing glance, as well as the full-length portrait of Charlotte
Marguerite de Montmorency, Princess de Conde, in widow's weeds, there is
also a large and magnificent picture, representing a young woman of
ravishing beauty, with perfectly regular features, with the loveliest
bright chestnut hair, grey eyes of the softest expression, a swan-like
neck, of a slight and graceful figure, painted with a natural grandeur,
and embellished with all the attractions of youth, enhanced by an
exquisite air of coquetry. She is seated in an easy attitude. One of her
hands, carelessly extended, holds a bouquet of flowers; the other rests
upon the mane of a lion, whose head is drawn full-face, and whose
flaming eyes are unmistakably the terrible eyes of Conde when seen with
his sword drawn. Here we behold the beautiful Duchess de Chatillon at
twenty-five or twenty-six, and very nearly such as she has taken care to
describe herself in the _Divers Portraits_ of Mademoiselle de
Montpensier. The head stands out wonderfully. It would be impossible to
instance a more charming countenance, but it is somewhat deficient in
character and grandeur, and quite different from that of Madame de
Longueville. The latter's face was not so regularly symmetrical, but it
wore a far loftier expression, and an air of supreme distinction
characterised her entire person.
Madame de Chatillon and Madame de Longueville had been brought up
together, and very much attached during the whole of their early youth.
By degrees there sprung up a rivalry of beauty between them, and they
quarrelled thoroughly when Madame de Longueville perceived after the
death of Chatillon, that the young and beautiful widow, at the same time
that she was welcoming very decidedly the homage of the Duke de Nemours,
had also evident designs upon Conde. Madame de Longueville had her own
reasons for not being then very severe upon others, but she knew the
self-seeking heart of the fair Duchess, and she was alarmed for her
brother's sake. She feared lest Madame de Chatillon, having great need
of Court favour, might retain Conde in the engagements which he had with
Mazarin, while she herself was forced to drag him into the Fronde. The
quarrel was renewed in 1651, as we have seen, and it was in full force
in 1652. Madame de Chatillon and Madame de L
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