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The Project Gutenberg EBook of The Golgotha Dancers, by Manly Wade Wellman This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Golgotha Dancers Author: Manly Wade Wellman Release Date: May 29, 2010 [EBook #32580] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE GOLGOTHA DANCERS *** Produced by Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net The Golgotha Dancers By MANLY WADE WELLMAN [Transcriber Note: This etext was produced from Weird Tales October 1937. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] [Sidenote: _A curious and terrifying story about an artist who sold his soul that he might paint a living picture_] I had come to the Art Museum to see the special show of Goya prints, but that particular gallery was so crowded that I could hardly get in, much less see or savor anything; wherefore I walked out again. I wandered through the other wings with their rows and rows of oils, their Greek and Roman sculptures, their stern ranks of medieval armors, their Oriental porcelains, their Egyptian gods. At length, by chance and not by design, I came to the head of a certain rear stairway. Other habitues of the museum will know the one I mean when I remind them that Arnold Boecklin's _The Isle of the Dead_ hangs on the wall of the landing. I started down, relishing in advance the impression Boecklin's picture would make with its high brown rocks and black poplars, its midnight sky and gloomy film of sea, its single white figure erect in the bow of the beach-nosing skiff. But, as I descended, I saw that _The Isle of the Dead_ was not in its accustomed position on the wall. In that space, arresting even in the bad light and from the up-angle of the stairs, hung a gilt-framed painting I had never seen or heard of in all my museum-haunting years. I gazed at it, one will imagine, all the way down to the landing. Then I had a close, searching look, and a final appraising stare from the lip of the landing above the lower half of the flight. So far as I can learn--and I have
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