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im who's gone--your great favourite, Charley Clancy. I take it, you've heard of his death; and possibly a report, that some one killed him. Both stories are true; and, telling you so, I may add, no one knows better than myself; since 'twas I sent the gentleman to kingdom come--Richard Darke." On making the fearful confession, and in boastful emphasis, he bends lower to observe its effect. Not in her face, still covered with the serape, but her form, in which he can perceive a tremor from head to foot. She shudders, and not strange, as she thinks:-- "He murdered _him_. He may intend the same with _me_. I care not now." Again the voice of the self-accused assassin: "You know me now?" She is silent as ever, and once more motionless; the convulsive spasm having passed. Even the beating of her heart seems stilled. Is she dead? Has his fell speech slain her? In reality it would appear so. "Ah, well;" he says, "you won't recognise me? Perhaps you will after seeing my face. Sight is the sharpest of the senses, and the most reliable. You shall no longer be deprived of it. Let me take you to the light." Lifting, he carries her out to where the moonbeams meet the tree's shadow, and there lays her along. Then dropping to his knees, he draws out something that glistens. Two months before he stooped over the prostrate form of her lover, holding a photograph before his eyes--her own portrait. In her's he is about to brandish a knife! One seeing him in this attitude would suppose he intended burying its blade in her breast. Instead, he slits open the serape in front of her face, tossing the severed edges back beyond her cheeks. Her features exposed to the light, show wan and woeful; withal, lovely as ever; piquant in their pale beauty, like those of some rebellious nun hating the hood, discontented with cloister and convent. As she sees him stooping beside, with blade uplifted, she feels sure he designs killing her. But she neither shrinks, nor shudders now. She even wishes him to end her agony with a blow. Were the knife in her own hand, she would herself give it. It is not his intention to harm her that way. Words are the weapons by which he intends torturing her. With these he will lacerate her heart to its core. For he is thinking of the time when he threw himself at her feet, and poured forth his soul in passionate entreaty, only to have his passion spurned, and his pride humilia
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