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such a splendid rendering of the part too much for their intellectual capacity, were seized with a laughter profane, if smothered, whenever the talented captain made his appearance, giving the rest of the company (who could see them shaking behind their fans) to understand that they at least were "not for Joe,"--that is, Captain Cobbett's Joe. But the majority very properly took no notice of these Philistines, and indeed rebuked them by maintaining an undisturbed gravity to the very end. Sir Peter (Mr. Ryde) was most sumptuously arrayed. Nothing could exceed the magnificence of his attire. Upon an amateur stage, startling habiliments copied from a remote period are always attractive, and Mr. Ryde did all he knew in this line, giving even to the ordinary Sir Peter of our old-fashioned knowledge certain garments in vogue quite a century before he could possibly have been born. This gave a charming wildness to his character, a devil-may-care sort of an air, that exactly suited his gay and festive mood. After all, why should Sir Peter be old and heavy? why indeed? The effect was altogether charming. That there were a few disagreeable people who said they would have liked to know what he was _at_ (_such_ a phrase, you know!), what he _meant_, in fact, and who declared that, as a mere simple matter of choice, they liked to hear a word now and again from an actor, goes without telling. There are troublesome people in every grade of society,--gnats that _will_ sting. Silence is golden, as all the world knows; and Mr. Ryde is of it: so of course he forgot his part whenever he could, and left out all the rest! This he did with a systematic carefulness very praiseworthy in so young a man. On the whole, therefore, you will see that the affair was an unprecedented success; and if some did go away puzzled as to whether it was a burlesque or a tragedy, nobody was to blame for their obtuseness. There certainly are scenes in this admirable comedy not provocative of laughter; but such was the bad taste of Madam O'Connor that she joined in with the Philistines mentioned farther back, and laughed straight through the piece from start to finish, until the tears ran down her cheeks. She said afterwards she was hysterical, and Olga Bohun, who was quite as bad as she, said, "_no wonder_." Now, however, it is all over, and the actors and actresses have disappeared, to make way for the gauze, the electric light, and the tableaux; w
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