pictures is the same as between well or badly
played pieces of music.
We also saw some rich private collections, none of which, however,
equalled that of the Palais Royal, made by the Regent and containing a
conspicuous number of old Italian masters. As soon as I entered one of
these galleries I at once became exactly like a bee, so much useful
knowledge did I eagerly gather while intoxicated with bliss in the
contemplation of the great masters. Besides, in order to improve
myself, I copied some of the pictures of Rubens, some of Rembrandt's
and Van Dyck's heads, as well as several heads of girls by Greuze,
because these last were a good lesson to me in the demi-tints to be
found in delicate flesh colouring. Van Dyck shows them also, but more
finely. It is to these studies that I owe my improvement in the very
important science of degradation of light on the salient parts of a
head, so admirably done by Raphael, whose heads, it is true, combine
all the perfections. But it is only in Rome, under the bright Italian
sky, that Raphael can be properly judged. When, after years, I was
enabled to see some of his masterpieces, which had never left their
native home, I recognised Raphael to be above his high renown.
My father had left us penniless. But I was earning a deal of money, as
I was already painting many portraits. This, however, was insufficient
for household expenses, seeing that in addition I had to pay for my
brother's schooling, his clothes, his books, and so on. My mother,
therefore, saw herself obliged to remarry. She took a rich jeweller,
whom we never had suspected of avarice, but who directly after the
marriage displayed his stinginess by limiting us to the absolute
necessities of life, although I was good-natured enough to hand him
over everything I earned. Joseph Vernet was greatly enraged; he
counselled me to grant an annuity and to keep the rest for myself. But
I did not comply with this advice. I was afraid my mother might suffer
in consequence, with such a skinflint. I detested the man, the more as
he had appropriated my father's wardrobe and wore all the clothes just
as they were, without having them altered to fit him.
My young reputation attracted a number of strangers to our house.
Several distinguished personages came to see me, among them the
notorious Count Orloff, one of Peter the Third's assassins. Count
Orloff was a giant in stature, and I remember his wearing a diamond of
enormous size
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