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pictures is the same as between well or badly played pieces of music. We also saw some rich private collections, none of which, however, equalled that of the Palais Royal, made by the Regent and containing a conspicuous number of old Italian masters. As soon as I entered one of these galleries I at once became exactly like a bee, so much useful knowledge did I eagerly gather while intoxicated with bliss in the contemplation of the great masters. Besides, in order to improve myself, I copied some of the pictures of Rubens, some of Rembrandt's and Van Dyck's heads, as well as several heads of girls by Greuze, because these last were a good lesson to me in the demi-tints to be found in delicate flesh colouring. Van Dyck shows them also, but more finely. It is to these studies that I owe my improvement in the very important science of degradation of light on the salient parts of a head, so admirably done by Raphael, whose heads, it is true, combine all the perfections. But it is only in Rome, under the bright Italian sky, that Raphael can be properly judged. When, after years, I was enabled to see some of his masterpieces, which had never left their native home, I recognised Raphael to be above his high renown. My father had left us penniless. But I was earning a deal of money, as I was already painting many portraits. This, however, was insufficient for household expenses, seeing that in addition I had to pay for my brother's schooling, his clothes, his books, and so on. My mother, therefore, saw herself obliged to remarry. She took a rich jeweller, whom we never had suspected of avarice, but who directly after the marriage displayed his stinginess by limiting us to the absolute necessities of life, although I was good-natured enough to hand him over everything I earned. Joseph Vernet was greatly enraged; he counselled me to grant an annuity and to keep the rest for myself. But I did not comply with this advice. I was afraid my mother might suffer in consequence, with such a skinflint. I detested the man, the more as he had appropriated my father's wardrobe and wore all the clothes just as they were, without having them altered to fit him. My young reputation attracted a number of strangers to our house. Several distinguished personages came to see me, among them the notorious Count Orloff, one of Peter the Third's assassins. Count Orloff was a giant in stature, and I remember his wearing a diamond of enormous size
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