sies, and such fears as shall
Dead thee to th' most, if not destroy thee all.
And thou a thousand thousand times shalt be
More shak'd thyself than she is scorch'd by thee.

205. TO VIOLETS.

Welcome, maids-of-honour!
You do bring
In the spring,
And wait upon her.

She has virgins many,
Fresh and fair;
Yet you are
More sweet than any.

You're the maiden posies,
And so grac'd
To be plac'd
'Fore damask roses.

Yet, though thus respected,
By-and-by
Ye do lie,
Poor girls, neglected.

207. TO CARNATIONS. A SONG.

Stay while ye will, or go
And leave no scent behind ye:
Yet, trust me, I shall know
The place where I may find ye.

Within my Lucia's cheek,
Whose livery ye wear,
Play ye at hide or seek,
I'm sure to find ye there.

208. TO THE VIRGINS, TO MAKE MUCH OF TIME.

Gather ye rosebuds while ye may,
Old time is still a-flying:
And this same flower that smiles to-day
To-morrow will be dying.

The glorious lamp of heaven, the sun,
The higher he's a-getting,
The sooner will his race be run,
And nearer he's to setting.

That age is best which is the first,
When youth and blood are warmer;
But being spent, the worse, and worst
Times still succeed the former.

Then be not coy, but use your time,
And while ye may go marry:
For having lost but once your prime
You may for ever tarry.

209. SAFETY TO LOOK TO ONESELF.

For my neighbour I'll not know,
Whether high he builds or no:
Only this I'll look upon,
Firm be my foundation.
Sound or unsound, let it be!
'Tis the lot ordain'd for me.
He who to the ground does fall
_Has not whence to sink at all_.

210. TO HIS FRIEND, ON THE UNTUNABLE TIMES.

Play I could once; but, gentle friend, you see
My harp hung up here on the willow tree.
Sing I could once; and bravely, too, inspire
With luscious numbers my melodious lyre.
Draw I could once, although not stocks or stones,
Amphion-like, men made of flesh and bones,
Whither I would; but ah! I know not how,
I feel in me this transmutation now.
Grief, my dear friend, has first my harp unstrung,
Wither'd my hand, and palsy-struck my tongue.

211. HIS POETRY HIS PILLAR.

Only