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ace, one of the few limitations to Mr. Hardy's great charm as a writer lies in his tendency to encumber his page with detail. At a supremely romantic moment one of his people sits down to contemplate a tribe of ants, and watches them through two whole printed pages. In another case a man in imminent deadly peril surveys through two pages the history of the geologic changes which have befallen our planet. Each passage, taken by itself, is good enough. Taken where it is, each is terribly wearisome and wrong. I do not know that any critic has yet recorded Mr. Hardy's singular limitations as to the invention of plot. Speaking from memory, I cannot at this moment recall a novel of his in which some trouble does not circle about a marriage licence, and I can recall many instances of going to church to get married and coming back single. That, indeed, is Mr. Hardy's _piece de resistance_ in the way of invention, and it crops up in one book after another with a helpless inevitable-ness which at last grows comic. But here we can afford to have done with carping, and can turn to the much more grateful task of praise. I do not think it too much to say that Mr. Hardy has studied his own especial part of England, has made himself master of its landscape, its town and hamlet life, its tradition and sentiment, and general spiritual atmosphere, to such triumphant effect as to set himself wholly apart from all other English writers of fiction. His devotion to his own beloved Wessex has brought him this rich and merited reward--that he is the recognised first and final master of its field. His knowledge of rustic life within his own borders is beautifully sympathetic and profound. His impression of the landscape in the midst of which this life displays itself is broad and noble and alive. His literary style is a thing to admire, to study, and to admire again. All worthy readers of English fiction are his debtors for many idyllic happy hours, and many deep inspirations of wholesome English air. And if, at the parting of the ways, we wave a decisive farewell to him, we are not unmindful of the time when he was the best and dearest of our comrades, and we leave him in the certainty that, whatever path he has chosen, he has been guided in his choice by an ambition which is entirely honourable and sincere. VII.--UNDER FRENCH ENCOURAGEMENT--GEORGE MOORE That salt of sincerity which saves 'Jude the Obscure' and 'Tess o' the D'Urbe
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