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all the people of one place were engaged in celebrating events in which all were interested. Thus games celebrating sowing and harvest, and those associated with love and marriage, are played in this form. Both these methods allow of development. The circle varies from examples where all perform the same actions and say the same words to that where two or more players have principal parts, the others only singing or acting in dumb show, to examples where the singing has disappeared. The form or method of play and the actions constitute the oldest remaining parts of the game (the words being subject to alterations and loss through ignorance of their meaning), and it is to this form or method, the actions and the accompaniment of song, that they owe their survival, appealing as they do to the strong dramatic instinct of children and of uncultured folk. It will be convenient to give a few instances of the best-known singing games. In "line" form, a fighting game is "We are the Rovers." The words tell us of two opposing parties fighting for their land; both sides alternately deride one another and end by fighting until one side is victorious. Two other "line" games, "Nuts in May" and "Here come three dukes a-riding," are also games of contest, but not for territory. These show an early custom of obtaining wives. They represent marriage by capture, and are played in "line" form because of the element of contest contained in the custom. Another form, the "arch," is also used to indicate contest. Circle games, on the contrary, show such customs as harvest and marriage, with love and courting, and a ceremony and sanction by assembled friends. "Oats and beans and barley" and "Sally Water" are typical of this form. The large majority of circle games deal with love or marriage and domestic life. The customs surviving in these games deal with tribal life and take us back to "foundation sacrifice," "well worship," "sacredness of fire," besides marriage and funeral customs. Details may be found in the periodical publications of the Folk-lore Society, and particularly in the following works:--A.B. Gomme's _Traditional Games of Great Britain_ (2 vols., Nutt, 1894-1898); Gomme's _Children's Singing Games_ (Nutt, 1904.); Eckenstein's _Comparative Studies in Nursery Rhymes_ (Duckworth, 1906); Maclagan, _Games of Argyllshire_, Folk-lore Society (1900); Newell's _Games of American Children_ (Harper Bros., New York, 1884).
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