again
soliciting the honour of your attention to its manifold
beauties. Gentlemen, it only wants the touch of Prometheus
to start from the canvass and fall abidding!"
~19~~ Proceeding into Leicester Square, the very extraordinary
production of female genius, Miss Linwood's Gallery of Needlework
promised a gratification to the Squire exceeding in novelty any thing
which he had hitherto witnessed in the Metropolis. The two
friends accordingly entered, and the anticipations of Tallyho were
superabundantly realized.
This exhibition consists of seventy-five exquisite copies in needlework,
of the finest pictures of the English and foreign schools, possessing
all the correct drawing, just colouring, light and shade of the original
pictures from whence they are taken, and to which in point of effect
they are in no degree inferior.
From the door in Leicester Square the visitants entered the principal
room, a fine gallery of excellent proportions, hung with scarlet
broad-cloth, gold bullion tassels, and Greek borders. The appearance
thus given to the room is pleasing, and indicated to the Squire a still
more superior attraction. His Cousin Dashall had frequently inspected
this celebrated exhibition, but' to Tallyho it was entirely new.
On one side of this room the pictures are hung, and have a guard in
front to keep the company at the requisite distance, and for preserving
them.
Turning to the left, a long and obscure passage prepares the mind,
and leads to the cell of a prison, on looking into which is seen the
beautiful Lady Jane Gray, visited by the Abbot and keeper of the Tower
the night before her execution.
This scene particularly elicited the Squire's admiration; the deception
of the whole, he observed, was most beautiful, and not exceeded by
any work from the pencil of the painter, that he had ever witnessed.
A little farther on is a cottage, the casement of which opens, and the
hatch at the door is closed; and, on looking in at either, our visitants
perceived a fine and exquisitely finished copy of Gainsborough's Cottage
Children standing by the fire, with chimney-piece and cottage furniture
compleat. Near to this is Gainsborough's Woodman, exhibited in the same
scenic manner.
Having enjoyed an intellectual treat, which perhaps in originality as
an exhibition of needlework is no where else to be met with, our
perambulators retired, and reached home without the occurrence of any
other remar
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