FREE BOOKS

Author's List




PREV.   NEXT  
|<   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69  
70   71   >>  
e sprinkled Naiyenesgony with corn pollen, passing it up the right arm over the head and down the left arm to the hand. He placed the black tube in the palm, of the left hand of the god, the priest chanting all the while a prayer. The red tube was given with the same ceremony to Tobaidischinni, and the blue tube with the same ceremony to Ahsonnutli. The quiver was removed from Ahsonnutli before she knelt. The song-priest, kneeling in front of Naiyenesgony, repeated a long litany with responses by the invalid, when the gods left the lodge led by Naiyenesgony who deposited his tube and stick in a pinon tree, Tobaidischinni depositing his in a cedar tree, and Ahsonnutli hers in the heart of a shrub. SECOND CEREMONY. The scene was a brilliant one. Long before the time for the dance a line of four immense fires burned on each side of the avenue where the dance was to take place, and Navajo men and women clad in their bright colored blankets and all their rare beads and silver encircled each fire. Logs were piled 5 or 6 feet high. In addition to these eight fires there were many others near and far, around which groups of gamblers gathered, all gay and happy. Until this night no women but those who carried food to the lodge had been present at any of the ceremonies except at the initiation of the children. To say that there were 1,200 Navajo would be a moderate calculation. This indeed was a picture never to be forgotten. Many had been the objections to our sketching and writing, but throughout the nine days the song-priest stood steadfastly by us. One chief in particular denounced the theurgist for allowing the medicine to be put on paper and carried to Washington. But his words availed nothing. We were treated with every consideration. We were allowed to handle the masks and examine them closely, and at times the artists working at the sand painting really inconvenienced themselves and allowed us to crowd them that we might observe closely the many minute details which otherwise could not have been perceived, as many of their color lines in the skirt and sash decorations were like threads. The accompanying sketches show every detail. The green or dressing room was a circular inclosure of pine boughs at the end of the avenue. It was about 10 feet high by 20 feet in diameter made of pinon branches with their butts planted in the ground, their tops forming a brush or hedge. Within this inclosure the masks were arr
PREV.   NEXT  
|<   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69  
70   71   >>  



Top keywords:

Ahsonnutli

 

priest

 

Naiyenesgony

 
closely
 

avenue

 
inclosure
 

Navajo

 

carried

 
allowed
 
Tobaidischinni

ceremony

 

treated

 
Washington
 
availed
 
consideration
 

handle

 

working

 

artists

 

painting

 
sprinkled

pollen

 
examine
 

passing

 

medicine

 

objections

 

sketching

 
writing
 
forgotten
 

picture

 

denounced


theurgist

 

allowing

 

inconvenienced

 

steadfastly

 

boughs

 

dressing

 

circular

 
diameter
 

Within

 

forming


branches
 

planted

 
ground
 
detail
 
details
 

minute

 

calculation

 
observe
 
perceived
 

threads