EWSAM, COLLECTION OF THE HON. MRS MEYNELL-INGRAM.
PORTRAIT OF A MAN.
Traditionally ascribed to Titian. Just under life-size; he holds a black
hat. Blue-black silk dress with sleeve of pinky red and golden brown
gloves. Dark auburn hair. Dark grey marble wall behind. In excellent
preservation. (See p. 86.)
COLLECTION OF SIR CHARLES TURNER.
THE ADULTERESS BEFORE CHRIST.
A free Venetian repetition, perhaps based on an alternative design for
the Glasgow picture. (See p. 104.)
FRANCE.
LOUVRE.
FETE CHAMPETRE, or PASTORAL SYMPHONY. Canvas, 3 ft. 8 in. x 4 ft. 9 in.
_Said to have been in Charles I. Collection, and sold to Louis XIV. by
Jabuch._ (See p. 39.)
HOLY FAMILY AND SAINTS CATHERINE AND SEBASTIAN, WITH DONOR. Wood, 3 ft.
4 in. x 4 ft. 6 in.
Perhaps left incomplete by Giorgione at his death, and finished by
Sebastiano del Piombo. (See p. 105.)
_From Charles I. Collection._
GERMANY.
BERLIN GALLERY.
PORTRAIT OF A YOUNG MAN.
_Acquired from Dr. Richten_ (See p. 30.)
BERLIN, COLLECTION OF HERR VON KAUFFMANN.
STA. GIUSTINA.
A small seated figure with the unicorn. Recently acquired at Cologne,
and known to the writer only by photograph and description, but
tentatively accepted as genuine.
DRESDEN GALLERY.
VENUS. Canvas, 3 ft. 7 in. x 5 ft. 10 in. [No. 185.]
Formerly catalogued as a copy by Sassoferrato after Titian. Restored by
Morelli to Giorgione, and universally accepted as such. Mentioned by the
Anonimo and Ridolfi, and said to have been completed by Titian. (See p.
35.)
THE HOROSCOPE. Canvas, 4 ft. 5 in. x 6 ft. 2 in.
Copy after a lost original. C. and C. suggest Girolamo Pennacchi as
possible author. It bears the Este arms.
_From the Manfrini and Barker Collections._
(See _Gazette des Beaux Arts_, 1884, tom. xxx. p. 223.)
JUDGMENT OF PARIS. Canvas, 1 ft. 9 in. x 2 ft. 3 in.
One of several copies of a lost original. [See under British
Isles--Heron Court.]
ITALY
BERGAMO, GALLERY.
ORPHEUS AND EURYDICE. Wood, 1 ft. 3 in, x 1 ft. 9 in. [No. 179, Lochis
section.]
(See p. 89.)
MADONNA AND CHILD. Wood, 1 ft. 3 in. x 1 ft. 6 in. [No. 232, Lochis
section, as "Titian."]
The composition is very similar to Mr. Benson's "Madonna and Child"
(_q.v._). (See p. 101.)
THE ADULTERESS BEFORE CHRIST. 4 ft. 11 in. x 7 ft. 3 in. [No. 26,
Carrara section.]
Later copy, with slight variations, of the Glasgow picture, Ascribed to
Cariani, and in a dirty stat
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