lights.

THE EDITOR'S RELATIONS WITH THE YOUNG CONTRIBUTOR

One of the trustiest jokes of the humorous paragrapher is that the editor
is in great and constant dread of the young contributor; but neither my
experience nor my observation bears out his theory of the case.

Of course one must not say anything to encourage a young person to
abandon an honest industry in the vain hope of early honor and profit
from literature; but there have been and there will be literary men and
women always, and these in the beginning have nearly always been young;
and I cannot see that there is risk of any serious harm in saying that it
is to the young contributor the editor looks for rescue from the old
contributor, or from his failing force and charm.

The chances, naturally, are against the young contributor, and vastly
against him; but if any periodical is to live, and to live long, it is by
the infusion of new blood; and nobody knows this better than the editor,
who may seem so unfriendly and uncareful to the young contributor. The
strange voice, the novel scene, the odor of fresh woods and pastures new,
the breath of morning, the dawn of tomorrow--these are what the editor is
eager for, if he is fit to be an editor at all; and these are what the
young contributor alone can give him.

A man does not draw near the sixties without wishing people to believe
that he is as young as ever, and he has not written almost as many books
as he has lived years without persuading himself that each new work of
his has all the surprise of spring; but possibly there are wonted traits
and familiar airs and graces in it which forbid him to persuade others.
I do not say these characteristics are not charming; I am very far from
wishing to say that; but I do say and must say that after the fiftieth
time they do not charm for the first time; and this is where the
advantage of the new contributor lies, if he happens to charm at all.

I.

The new contributor who does charm can have little notion how much he
charms his first reader, who is the editor. That functionary may bide
his pleasure in a short, stiff note of acceptance, or he may mask his joy
in a check of slender figure; but the contributor may be sure that he has
missed no merit in his work, and that he has felt, perhaps far more than
the public will feel, such delight as it can give.

The contributor may take the acceptance as a token that his efforts have
not been neglected,