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en mountains ceased to be horrid and became picturesque; when ruins of all sorts, but particularly abbeys and castles, became habitable to the most delicate constitutions; when the despised Gothick of Addison dropped its "k," and arose the chivalrous and religious Gothic of Scott; when ghosts were redeemed from the contempt into which they had fallen, and resumed their place in polite society; in fact, the politer the society; the welcomer the ghosts, and whatever else was out of the common. In that day the Annual flourished, and this artificial flower was probably the first literary blossom on the Christmas Tree which has since borne so much tinsel foliage and painted fruit. But the Annual was extremely Oriental; it was much preoccupied with, Haidees and Gulnares and Zuleikas, with Hindas and Nourmahals, owing to the distinction which Byron and Moore had given such ladies; and when it began to concern itself with the actualities of British beauty, the daughters of Albion, though inscribed with the names of real countesses and duchesses, betrayed their descent from the well-known Eastern odalisques. It was possibly through an American that holiday literature became distinctively English in material, and Washington Irving, with his New World love of the past, may have given the impulse to the literary worship of Christmas which has since so widely established itself. A festival revived in popular interest by a New-Yorker to whom Dutch associations with New-year's had endeared the German ideal of Christmas, and whom the robust gayeties of the season in old-fashioned country-houses had charmed, would be one of those roundabout results which destiny likes, and "would at least be Early English." If we cannot claim with all the patriotic confidence we should like to feel that it was Irving who set Christmas in that light in which Dickens saw its aesthetic capabilities, it is perhaps because all origins are obscure. For anything that we positively know to the contrary, the Druidic rites from which English Christmas borrowed the inviting mistletoe, if not the decorative holly, may have been accompanied by the recitations of holiday triads. But it is certain that several plays of Shakespeare were produced, if not written, for the celebration of the holidays, and that then the black tide of Puritanism which swept over men's souls blotted out all such observance of Christmas with the festival itself. It came in again, by a natura
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