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orn and the unborn, As traitors did he challenge With taunting words of scorn. The living, in their houses, And in their graves, the dead! And the waters of their rivers, And their wine, and oil, and bread! There is a greater army, That besets us round with strife, A starving, numberless army, At all the gates of life. The poverty-stricken millions Who challenge our wine and bread, And impeach us all as traitors, Both the living and the dead. And whenever I sit at the banquet, Where the feast and song are high, Amid the mirth and the music I can hear that fearful cry. And hollow and haggard faces Look into the lighted hall, And wasted hands are extended To catch the crumbs that fall. For within there is light and plenty, And odors fill the air; But without there is cold and darkness, And hunger and despair. And there in the camp of famine, In wind and cold and rain, Christ, the great Lord of the army, Lies dead upon the plain! THE BROOK AND THE WAVE The brooklet came from the mountain, As sang the bard of old, Running with feet of silver Over the sands of gold! Far away in the briny ocean There rolled a turbulent wave, Now singing along the sea-beach, Now howling along the cave. And the brooklet has found the billow Though they flowed so far apart, And has filled with its freshness and sweetness That turbulent bitter heart! AFTERMATH When the summer fields are mown, When the birds are fledged and flown, And the dry leaves strew the path; With the falling of the snow, With the cawing of the crow, Once again the fields we mow And gather in the aftermath. Not the sweet, new grass with flowers Is this harvesting of ours; Not the upland clover bloom; But the rowen mired with weeds, Tangled tufts from marsh and meads, Where the poppy drops its seeds In the silence and the gloom. THE MASQUE OF PANDORA I THE WORKSHOP OF HEPHAESTUS HEPHAESTUS (standing before the statue of Pandora.) Not fashioned out of gold, like Hera's throne, Nor forged of iron like the thunderbolts Of Zeus omnipotent, or other works Wrought by my hands at Lemnos or Olympus, But moulded in soft clay, that unresisting Yields itself to the touch, this lovely form Before me stands, perfect in every part. Not Aphrodite's self appeared more fair, When first upwafted by caressing winds She came to high Olympus, and the gods Paid homa
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