rslayer
tale.

10. They require that the author shall make the reader feel a deep
interest in the personages of his tale and in their fate; and that he
shall make the reader love the good people in the tale and hate the bad
ones. But the reader of the Deerslayer tale dislikes the good people in
it, is indifferent to the others, and wishes they would all get drowned
together.

11. They require that the characters in a tale shall be so clearly
defined that the reader can tell beforehand what each will do in a given
emergency. But in the Deerslayer tale this rule is vacated.

In addition to these large rules there are some little ones. These
require that the author shall:

12. Say what he is proposing to say, not merely come near it.

13. Use the right word, not its second cousin.

14. Eschew surplusage.

15. Not omit necessary details.

16. Avoid slovenliness of form.

17. Use good grammar.

18. Employ a simple and straightforward style.

Even these seven are coldly and persistently violated in the Deerslayer
tale.

Cooper's gift in the way of invention was not a rich endowment; but
such as it was he liked to work it, he was pleased with the effects,
and indeed he did some quite sweet things with it. In his little box of
stage properties he kept six or eight cunning devices, tricks, artifices
for his savages and woodsmen to deceive and circumvent each other with,
and he was never so happy as when he was working these innocent things
and seeing them go. A favorite one was to make a moccasined person tread
in the tracks of the moccasined enemy, and thus hide his own trail.
Cooper wore out barrels and barrels of moccasins in working that trick.
Another stage-property that he pulled out of his box pretty frequently
was his broken twig. He prized his broken twig above all the rest of his
effects, and worked it the hardest. It is a restful chapter in any book
of his when somebody doesn't step on a dry twig and alarm all the reds
and whites for two hundred yards around. Every time a Cooper person is
in peril, and absolute silence is worth four dollars a minute, he is
sure to step on a dry twig. There may be a hundred handier things to
step on, but that wouldn't satisfy Cooper. Cooper requires him to turn
out and find a dry twig; and if he can't do it, go and borrow one. In
fact, the Leather Stocking Series ought to have been called the Broken
Twig Series.

I am sorry there is not room to put in a few dozen inst