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e come to talk to you, Leonard," said Mr. Dale, "but I fear we shall disturb Mrs. Fairfield." "Oh, no, sir! the door to the staircase is shut, and she sleeps soundly." "Why, this is a French book--do you read French, Leonard?" asked Riccabocca. "I have not found French difficult, sir. Once over the grammar, and the language is so clear; it seems the very language for reasoning." "True. Voltaire said justly, 'Whatever is obscure is not French,'" observed Riccabocca. "I wish I could say the same of English," muttered the Parson. "But what is this?--Latin too?--Virgil?" "Yes, sir. But I find I make little way there without a master. I fear I must give it up" (and Leonard sighed). The two gentlemen exchanged looks and seated themselves. The young peasant remained standing modestly, and in his air and mien there was something that touched the heart while it pleased the eye. He was no longer the timid boy who had sunk from the frown of Mr. Stirn, nor that rude personation of simple physical strength, roused to undisciplined bravery, which had received its downfall on the village-green of Hazeldean. The power of thought was on his brow--somewhat unquiet still, but mild and earnest. The features had attained that refinement which is often attributed to race, but comes, in truth, from elegance of idea, whether caught from our parents or learned from books. In his rich brown hair, thrown carelessly from his temples, and curling almost to the shoulders in his large blue eye, which was deepened to the hue of the violet by the long dark lash--in that firmness of lip which comes from the grapple with difficulties, there was considerable beauty, but no longer the beauty of the mere peasant. And yet there was still about the whole countenance that expression of goodness and purity which a painter would give to his ideal of the peasant lover--such as Tasso would have placed in the _Aminta_, or Fletcher have admitted to the side of the Faithful Shepherdess. "You must draw a chair here, and sit down between us, Leonard," said the Parson. "If any one," said Riccabocca "has a right to sit, it is the one who is to hear the sermon; and if any one ought to stand, it is the one who is about to preach it." "Don't be frightened, Leonard," said the Parson, graciously; "it is only a criticism, not a sermon," and he pulled out Leonard's Prize Essay. CHAPTER XIX. PARSON.--"You take for your motto this aphorism[8]--'_Kn
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