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their own, greatly to the advantage of their Dutch masters. The colossal incomes assigned to scions of the royal stock only serve the double purpose of political expediency and personal extravagance, for the luxury of a licentious Court remains unchecked, and the idea of educating or reforming tributary princes is unknown in Java. Territorial rights were relinquished for pecuniary gains, and the entire Court of the Susunhan is in the pay of the Dutch, the wealth amassed from the richest island in the world affording ample compensation for the pensions lavishly bestowed on the former owners of the tropical Paradise. The Dutch Resident, in his capacity of "Elder Brother" to the indigenous race, claims the full privileges of his assumed position, but the advancing tide of social reform has even touched these distant shores, and the alien authority tends on the whole to the welfare of the community. Hygienic regulations are compulsory, and even here the traditions of Holland enjoin an amount of whitewashing and cleaning up unique in tropical colonies. The green and vermilion panelled _sarongs_ of Solo are renowned for their elaborate designs, and the painting of _battek_, or cotton cloth, remains a flourishing industry of the ancient capital. The intricate beauty of the hand-made patterns far surpasses that of the woven fabrics wherewith new mills and factories begin to supply the market. Centuries of hereditary training, from the days when royal Solo was a self-supporting city, contribute to the amazing skill of the _battek_ girls, but the elaboration of native Art is doomed to decay, for Time, hitherto a negligeable quantity in this "summer isle of Eden," begins to reveal a value unknown to the Javanese past, and as the poetry of illumination vanished before the prose of the printing press, so the painting of _battek_ must inevitably give way to the wholesale methods of Manchester in the near future of Java, just awakening from her spellbound sleep to the changed conditions of life and labour. An exquisite plain, described by de Charnay as unrivalled even in Java, surrounds Sourakarta with belts of palm, avenues of waringen, and picturesque rice-fields of flaming green and vivid gold. Azure peaks frame the enchanting picture. The storied heights are rich in traditions of gods and heroes, with innumerable myths haunting the ruined temples which cluster round the base of the mountain range, and suggest themselves as relics
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