dn't
go wrong all at one jump. Being a nurse girl was yust what finished me.
Taking care of other people's kids, always listening to their bawling
and crying, caged in, when you're only a kid yourself and want to go
out and see things. At last I got the chance--to get into that house.
And you bet your life I took it! [Defiantly.] And I ain't sorry
neither. [After a pause--with bitter hatred.] It was all men's
fault--the whole business. It was men on the farm ordering and beating
me--and giving me the wrong start. Then when I was a nurse, it was men
again hanging around, bothering me, trying to see what they could get.
[She gives a hard laugh.] And now it's men all the time. Gawd, I hate
'em all, every mother's son of 'em! Don't you?
MARTHY--Oh, I dunno. There's good ones and bad ones, kid. You've just
had a run of bad luck with 'em, that's all. Your Old Man, now--old
Chris--he's a good one.
ANNA--[Sceptically.] He'll have to show me.
MARTHY--Yuh kept right on writing him yuh was a nurse girl still, even
after yuh was in the house, didn't yuh?
ANNA--Sure. [Cynically.] Not that I think he'd care a darn.
MARTHY--Yuh're all wrong about him, kid, [Earnestly.] I know Old Chris
well for a long time. He's talked to me 'bout you lots o' times. He
thinks the world o' you, honest he does.
ANNA--Aw, quit the kiddin'!
MARTHY--Honest! Only, he's a simple old guy, see? He's got nutty
notions. But he means well, honest. Listen to me, kid--[She is
interrupted by the opening and shutting of the street door in the bar
and by hearing CHRIS' voice.] Ssshh!
ANNA--What's up?
CHRIS--[Who has entered the bar. He seems considerably sobered up.] Py
golly, Larry, dat grub taste good. Marthy in back?
LARRY--Sure--and another tramp with her. [CHRIS starts for the entrance
to the back room.]
MARTHY--[To ANNA in a hurried, nervous whisper.] That's him now. He's
comin' in here. Brace up!
ANNA--Who? [Chris opens the door.]
MARTHY--[As if she were greeting him for the first time]. Why hello,
Old Chris. [Then before he can speak, she shuffles hurriedly past him
into the bar, beckoning him to follow her.] Come here. I wanta tell yuh
somethin'. [He goes out to her. She speaks hurriedly in a low voice.]
Listen! I'm goin' to beat it down to the barge--pack up me duds and
blow. That's her in there--your Anna--just come--waitin' for yuh. Treat
her right, see? She's been sick. Well, s'long! [She goes into the back
room--to ANNA.] S
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