FREE BOOKS

Author's List




PREV.   NEXT  
|<   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   >>  
s wasted, but talent, energy, and sometimes that jewel in the crown of success--"ambition." A CASE IN POINT An illustration of one means of wasting time is well indicated in the case of some pedagogs who hold to old ideas in piano-playing simply because they are old. I believe in conservatism, but at the same time I am opposed to conservatism which excludes all progressiveness. The world is continually advancing, and we are continually finding out new things as well as determining which of the older methods will prove the best in the long run. All musical Europe has been upset during the last quarter of the century over the vital subject of whether the pressure touch is better than the angular blow touch. There was a time in the past when an apparent effort was made to make everything pertaining to pianoforte technic as stiff and inelastic as possible. The fingers were trained to hop up and down like little hammers--the arm was held stiff and hard at the side. In fact, it was not uncommon for some teachers to put a book under the armpit and insist upon their pupils holding it there by pressing against the body during the practice period. H. Ehrlich, who in his day was a widely recognized authority, wrote a pamphlet to accompany his edition of the Tausig technical studies in which this system is very clearly outlined. He asserts that Tausig insisted upon it. To-day we witness a great revolution. The arms are held freely and rigidity of all kind is avoided. It was found that the entire system of touch was under a more delicate and sensitive control when the pressure touch was employed than when the mechanical "hitting" touch was used. It was also found that much of the time spent in developing the hitting touch along mechanical lines was wasted, since superior results could be achieved in a shorter time by means of pressing and "kneading" the keys, rather than delivering blows to them. The pressure touch seems to me very much freer and I am emphatically in favor of it. The older method produced cramped unmusical playing and the pupil was so restricted that he reminded one for all the world of the new-fangled skirts ("hobble-skirts") which seem to give our ladies of fashion so much difficulty just now. The American pupils who have come to Germany to study with me have been for the most part exceedingly well trained. In America there are innumerable excellent teachers. The American pupil is almost always very indu
PREV.   NEXT  
|<   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   >>  



Top keywords:

pressure

 

mechanical

 

hitting

 

American

 

skirts

 

teachers

 

continually

 

pupils

 
Tausig
 

trained


system
 

pressing

 

conservatism

 
wasted
 

playing

 
control
 
employed
 

success

 

sensitive

 

entire


delicate

 

superior

 
results
 

developing

 
ambition
 

avoided

 

outlined

 

asserts

 
technical
 

studies


insisted

 

freely

 

rigidity

 

witness

 

revolution

 

ladies

 

hobble

 

America

 
reminded
 
excellent

innumerable

 

fangled

 

fashion

 

difficulty

 

Germany

 

exceedingly

 

restricted

 

delivering

 

achieved

 

shorter