our Maiesties most humbly Sistar
"and Seruante
"ELIZABETH."

ANNE BULLEN.

That minute detail of circumstances frequently found in writers of the
history of their own times is more interesting than the elegant and
general narratives of later, and probably of more philosophical
historians. It is in the artless recitals of memoir-writers, that the
imagination is struck with a lively impression, and fastens on petty
circumstances, which must be passed over by the classical historian. The
writings of Brantome, Comines, Froissart, and others, are dictated by
their natural feelings: while the passions of modern writers are
temperate with dispassionate philosophy, or inflamed by the virulence of
faction. History instructs, but Memoirs delight. These prefatory
observations may serve as an apology for Anecdotes which are gathered
from obscure corners, on which the dignity of the historian must not
dwell.

In Houssaie's _Memoirs_, Vol. I. p. 435, a little circumstance is
recorded concerning the decapitation of the unfortunate Anne Bullen,
which illustrates an observation of Hume. Our historian notices that her
executioner was a Frenchman of Calais, who was supposed to have uncommon
skill. It is probable that the following incident might have been
preserved by tradition in France, from the account of the executioner
himself:--Anne Bullen being on the scaffold, would not consent to have
her eyes covered with a bandage, saying that she had no fear of death.
All that the divine who assisted at her execution could obtain from her
was, that she would shut her eyes. But as she was opening them at every
moment, the executioner could not bear their tender and mild glances;
fearful of missing his aim, he was obliged to invent an expedient to
behead the queen. He drew off his shoes, and approached her silently;
while he was at her left hand, another person advanced at her right, who
made a great noise in walking, so that this circumstance drawing the
attention of Anne, she turned her face from the executioner, who was
enabled by this artifice to strike the fatal blow, without being
disarmed by that spirit of affecting resignation which shone in the eyes
of the lovely Anne Bullen.

The Common Executioner,
Whose heart th' accustom'd sight of death makes hard,
Falls not the axe upon the humble neck
But first begs pardon.

SHAKSPEARE.