FREE BOOKS

Author's List




PREV.   NEXT  
|<   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173  
174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   >>   >|  
as long as I do not try to break away. What can you, one man, do against two thousand Sioux?" and she began to weep, choking back the anguished sobs, that shook her slender frame, and picking feverishly at the red shawl fringe. To look at that agonized face would have been sacrilege, and in a helpless, nonplussed way, I kept gazing at the painful workings of the thin, frail fingers. That plucking of the wasted, trembling hands haunts me to this day; and never do I see the fingers of a nervous, sensitive woman working in that delirious, aimless fashion but it sets me wondering to what painful treatment from a brutalized nature she has been subjected, that her hands take on the tricks of one in the last stages of disease. It may be only the fancy of an old trader; but I dare avow, if any sympathetic observer takes note of this simple trick of nervous fingers, it will raise the veil on more domestic tragedies and heart-burnings than any father-confessor hears in a year. "Miriam," said I, in answer to her timid protest, "Eric has risked his life seeking you. Won't you try all for Eric's sake? There'll be little risk! We'll wait for a dark, boisterous, stormy night, and you will roll out of your tent the way you thrust my Indian out. I'll have my horses ready. I'll creep up behind and whisper through the tent." "Where _is_ Eric?" she asked, beginning to waver. Two shrill, sharp whistles came from Louis Laplante, commanding me to come out of the tent. "That's my signal! I must go. Quick, Miriam, will you try?" "I will do what you wish," she answered, so low, I had to kneel to catch the words. "A stormy night our signal, then," I cried. Three, sharp, terrified whistles, signifying, "We are caught, save yourself," came from Laplante, and I flung myself on the ground behind Miriam. "Spread out your arms, Miriam! Quick!" I urged. "Talk to the boy, or we're trapped." With her shawl spread out full and her elbows sticking akimbo, she caught the lad in her arms and began dandling him to right, and left, humming some nursery ditty. At the same moment there loomed in the tent entrance the great, statuesque figure of the Sioux squaw, whom I had seen in the gorge. I kicked my feet under the canvas wall, while Miriam's swaying shawl completely concealed me from the Sioux woman and thus I crawled out backwards. Then I lay outside the tent and listened, listened with my hand on my pistol, for what might not that mon
PREV.   NEXT  
|<   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171   172   173  
174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   >>   >|  



Top keywords:

Miriam

 

fingers

 

Laplante

 

signal

 

whistles

 

painful

 
nervous
 
caught
 

listened

 
stormy

horses
 

ground

 
signifying
 

terrified

 

commanding

 

Spread

 
beginning
 
shrill
 

answered

 

whisper


canvas

 
kicked
 

figure

 

statuesque

 
swaying
 

completely

 

pistol

 
concealed
 
crawled
 

backwards


entrance

 

spread

 

elbows

 

sticking

 

akimbo

 

Indian

 

trapped

 

dandling

 

moment

 

loomed


nursery

 

humming

 

working

 

sensitive

 

delirious

 
aimless
 
fashion
 

trembling

 
wasted
 

haunts