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of which river _A' wat u i_ itself occurs), where the fallen walls betoken equal advancement in the status of the ancient builders and indicate by their vast extent many times the population of _A' wat u i_, the potsherds are coarse, irregular in curvature, badly decayed, and exceptionally scarce. In the immediate neighborhood of this ruin, I need not add, clay is of rare occurrence and poor in quality. A more reliable example is furnished by the farming pueblos of Zuni. At _He sho ta tsi nan_ or Ojo del Pescado, fifteen miles east of Zuni, clays of several varieties and color minerals are abundant. The finest pottery of the tribe is made there in great quantity, while, notwithstanding the facilities for transportation which the Zunis now possess, at the opposite farming town of _K'iap kwai na kwin_, or Los Ojos Calientes, where clay is scarce and of poor texture, the pottery, although somewhat abundant, is of miserable quality and of bad shape. In quality of art quite as much as in that of material this local influence was great. In the neighborhood of ruined pueblos which occur near mineral deposits furnishing a great variety of pigment-material, the decoration of the ceramic remains is so surprisingly and universally elaborate, beautiful, and varied as to lead the observer to regard the people who dwelt there as different from the people who had inhabited towns about the sites of which the sherds show not only meager skill and less profuse decorative variety, but almost typical dissimilarity. Yet tradition and analogy, even history in rare instances, may declare that the inhabitants of both sections were of common derivation, if not closely related and contemporaneous. Probably, at no one point in the Southwest was ceramic decoration carried to a higher degree of development than at _A' wat u i_, yet the Oraibes, by descent the modern representatives of the _A' wat u i ans_ are the poorest potters and painters among the Mokis. Near their pueblo the clay and other mineral deposits mentioned as abundant at _A' wat u i_ are meager and inaccessible. Still, it may be urged that time may have introduced other than natural causes for change; this could not be said of another example pertaining to one period and a single tribe. I refer again to the Zunis. The manufactures of Pescado probably surpass in decorative excellence all other modern Pueblo pottery, while both in their lack of variety and in delicacy of execution
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