ive
ever written. Thus the Italian sky was blazing with splendor, while the
West was still in the morning twilight. The Divina Commedia was written
half a century before the Canterbury Tales.
Boccaccio was then writing his _Filostrato_, which was to be Chaucer's
model in the Troilus and Creseide, and his _Decameron_, which suggested
the plan of the Canterbury Tales. His _Teseide_ is also said to be the
original of the Knight's Tale. Petrarch, "the worthy clerke" from whom
Chaucer is said to have learned a story or two in Italy for his great
work, was born in 1304, and was also a star of the first magnitude in that
Italian galaxy.
Indeed, it is here worthy of a passing remark, that from that early time
to a later period, many of the great products of English poetry have been
watered by silver rills of imaginative genius from a remote Italian
source. Chaucer's indebtedness has just been noticed. Spenser borrowed his
versification and not a little of his poetic handling in the Faery Queen
from Ariosto. Milton owes to Dante some of his conceptions of heaven and
hell in his Paradise Lost, while his Lycidas, Arcades, Allegro and
Penseroso, may be called Italian poems done into English.
In the time of Chaucer, this Italian influence marks the extended
relations of English letters; and, serving to remove the trammels of the
French, it gave to the now vigorous and growing English that opportunity
of development for which it had so long waited. Out of the serfdom and
obscurity to which it had been condemned by the Normans, it had sprung
forth in reality, as in name, the English language. Books, few at the
best, long used in Latin or French, were now demanded by English mind, and
being produced in answer to the demand.
THE FOUNDER OF THE LITERATURE.--But there was still wanted a man who could
use the elements and influences of the time--a great poet--a maker--a
creator of literature. The language needed a forming, controlling, fixing
hand. The English mind needed a leader and master, English imagination a
guide, English literature a father.
The person who answered to this call, and who was equal to all these
demands, was Chaucer. But he was something more. He claimed only to be a
poet, while he was to figure in after times as historian, philosopher, and
artist.
The scope of this work does not permit an examination of Chaucer's
writings in detail, but the position we have taken will be best
illustrated by his greates
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