ough he always went to the pit.
What student could deny himself the pleasure of seeing Talma in one of
his famous roles? Lucien was fascinated by the theatre, that first
love of all poetic temperaments; the actors and actresses were
awe-inspiring creatures; he did not so much as dream of the possibility
of crossing the footlights and meeting them on familiar terms. The men
and women who gave him so much pleasure were surely marvelous beings,
whom the newspapers treated with as much gravity as matters of
national interest. To be a dramatic author, to have a play produced on
the stage! What a dream was this to cherish! A dream which a few bold
spirits like Casimir Delavigne had actually realized. Thick swarming
thoughts like these, and moments of belief in himself, followed by
despair gave Lucien no rest, and kept him in the narrow way of toil
and frugality, in spite of the smothered grumblings of more than one
frenzied desire.
Carrying prudence to an extreme, he made it a rule never to enter the
precincts of the Palais Royal, that place of perdition where he had
spent fifty francs at Very's in a single day, and nearly five hundred
francs on his clothes; and when he yielded to temptation, and saw
Fleury, Talma, the two Baptistes, or Michot, he went no further than
the murky passage where theatre-goers used to stand in a string from
half-past five in the afternoon till the hour when the doors opened,
and belated comers were compelled to pay ten sous for a place near the
ticket-office. And after waiting for two hours, the cry of "All
tickets are sold!" rang not unfrequently in the ears of disappointed
students. When the play was over, Lucien went home with downcast eyes,
through streets lined with living attractions, and perhaps fell in
with one of those commonplace adventures which loom so large in a
young and timorous imagination.
One day Lucien counted over his remaining stock of money, and took
alarm at the melting of his funds; a cold perspiration broke out upon
him when he thought that the time had come when he must find a
publisher, and try also to find work for which a publisher would pay
him. The young journalist, with whom he had made a one-sided
friendship, never came now to Flicoteaux's. Lucien was waiting for a
chance--which failed to present itself. In Paris there are no chances
except for men with a very wide circle of acquaintance; chances of
success of every kind increase with the number of your connect
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