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thor is intoxicated with success, he will hug his porter if there is nobody else on hand," according to Bixiou. "Why, darling, why are you crying?" he said, looking into Eve's face. "Ah! I know, you are crying for joy!" "Oh me!" said her mother, shaking her head as she spoke. "Lucien has forgotten everything already; not merely his own troubles, but ours as well." Mother and daughter separated, and neither dared to utter all her thoughts. In a country eaten up with the kind of social insubordination disguised by the word Equality, a triumph of any kind whatsoever is a sort of miracle which requires, like some other miracles for that matter, the co-operation of skilled labor. Out of ten ovations offered to ten living men, selected for this distinction by a grateful country, you may be quite sure that nine are given from considerations connected as remotely as possible with the conspicuous merits of the renowned recipient. What was Voltaire's apotheosis at the Theatre-Francais but the triumph of eighteenth century philosophy? A triumph in France means that everybody else feels that he is adorning his own temples with the crown that he sets on the idol's head. The women's presentiments proved correct. The distinguished provincial's reception was antipathetic to Angoumoisin immobility; it was too evidently got up by some interested persons or by enthusiastic stage mechanics, a suspicious combination. Eve, moreover, like most of her sex, was distrustful by instinct, even when reason failed to justify her suspicions to herself. "Who can be so fond of Lucien that he could rouse the town for him?" she wondered as she fell asleep. "The _Marguerites_ are not published yet; how can they compliment him on a future success?" The ovation was, in fact, the work of Petit-Claud. Petit-Claud had dined with Mme. de Senonches, for the first time, on the evening of the day that brought the cure of Marsac to Angouleme with the news of Lucien's return. That same evening he made formal application for the hand of Mlle. de la Haye. It was a family dinner, one of the solemn occasions marked not so much by the number of the guests as by the splendor of their toilettes. Consciousness of the performance weighs upon the family party, and every countenance looks significant. Francoise was on exhibition. Mme. de Senonches had sported her most elaborate costume for the occasion; M. du Hautoy wore a black coat; M. de Senonches had retur
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