h beaker full of the warm South glows between his amorous eye
and the sun.

"I have never known
Praise of love or wine
That panted forth a flood of twaddle so divine."

I never tire of looking at a Viceroy. He is a being so heterogeneous
from us! He is the centre of a world with which he has no affinity. He
is a veiled prophet. [He wears many veils indeed.] He who is the axis
of India, the centre round which the Empire rotates, is absolutely and
necessarily withdrawn from all knowledge of India. He lisps no
syllable of any Indian tongue; no race or caste, or mode of Indian
life is known to him; all our delightful provinces of the sun that lie
off the railway are to him an undiscovered country; Ghebers, Moslems,
Hindoos blend together in one indistinguishable dark mass before his
eye, [in which the cataract of English indifference has not been
couched; most delightful of all--he knows not the traditions of
Anglo-India, and he does not belong to the Bandicoot Club, St. James's
Square!]

A Nawab, whom the Foreign Office once farmed out to me, often used to
ask what the use of a Viceroy was. I do not believe that he meant to
be profane. The question would again and again recur to his mind, and
find itself on his lips. I always replied with the counter question,
"What is the use of India?" He never would see--the Oriental mind does
not see these things--that the chief end and object of India was the
Viceroy; that, in fact, India was the plant and the Viceroy the
flower.

I have often thought of writing a hymn on the Beauty of Viceroys; and
have repeatedly attuned my mind to the subject; but my inability to
express myself in figurative language, and my total ignorance of
everything pertaining to metre, rhythm, and rhyme, make me rather
hesitate to employ verse. Certainly, the subject is inviting, and I am
surprised that no singer has arisen. How can any one view the
Viceroyal halo of scarlet domestics, with all the bravery of coronets,
supporters, and shields in golden embroidery and lace, without
emotion! How can the tons of gold and silver plate that once belonged
to John Company, Bahadur, and that now repose on the groaning board of
the Great Ornamental, amid a glory of Himalayan flowers, or blossoms
from Eden's fields of asphodel, be reflected upon the eye's retina
without producing positive thrills and vibrations of joy (that cannot
be measured in terms of _ohm_ or _farad_) shooting up and down th