mitive conditions in a new land; the result is a
'handy man' with every form of tool and in any circumstances. Thus,
when building operations were to the fore and mechanical labour
scarce, Ponting returned to the shell of his apartment with only the
raw material for completing it. In the shortest possible space of
time shelves and tanks were erected, doors hung and windows framed,
and all in a workmanlike manner commanding the admiration of all
beholders. It was well that speed could be commanded for such work,
since the fleeting hours of the summer season had been altogether too
few to be spared from the immediate service of photography. Ponting's
nervous temperament allowed no waste of time--for him fine weather
meant no sleep; he decided that lost opportunities should be as rare
as circumstances would permit.
This attitude was now manifested in the many yards of cinematograph
film remaining on hand and yet greater number recorded as having been
sent back in the ship, in the boxes of negatives lying on the shelves
and a well-filled album of prints.
Of the many admirable points in this work perhaps the most notable
are Ponting's eye for a picture and the mastery he has acquired of ice
subjects; the composition of most of his pictures is extraordinarily
good, he seems to know by instinct the exact value of foreground
and middle distance and of the introduction of 'life,' whilst with
more technical skill in the manipulation of screens and exposures he
emphasises the subtle shadows of the snow and reproduces its wondrously
transparent texture. He is an artist in love with his work, and it
was good to hear his enthusiasm for results of the past and plans of
the future.
Long before I could gaze my fill at the contents of the dark room I
was led to the biologists' cubicle; Nelson and Day had from the first
decided to camp together, each having a habit of methodical neatness;
both were greatly relieved when the arrangement was approved, and
they were freed from the chance of an untidy companion. No attempt
had been made to furnish this cubicle before our departure on the
autumn journey, but now on my return I found it an example of the best
utilisation of space. The prevailing note was neatness; the biologist's
microscope stood on a neat bench surrounded by enamel dishes, vessels,
and books neatly arranged; behind him, when seated, rose two neat
bunks with neat, closely curtained drawers for clothing and neat
reflectin
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