,' or,
'Here the vigil is sad, because _les malades_ do not wish a doctor.'"
The first letter, signed "Fritz," is a most cordial welcome to a man
about to marry his sister. The third is a double letter from George Sand
and Chopin to Louise, who had just visited the two lovers at Nohant in
1844. Sand tells her that her visit has been the best tonic he has ever
had, and writes to the whole family: "Tell them all that I love them,
too, and would give my life to unite them with him one day under my
roof." Chopin refers to Sand as "My hostess," and signs himself "Ton
vieux." In his next he details with much amusement a scandalous escapade
of Victor Hugo's, a husband's discovery, and Madame Hugo's forgiving
manner. He announces (July 20, 1845) that "le telegraphe
electro-magnetique entre Baltimore et Washington, donne des resultats
extraordinaires." He revels in puns and gossip.
Karlovicz mentions the existence of a despairing letter in which Chopin
called his sister Louise to Paris where he was dying; she came in 1849,
with her husband and daughter, and remained till the end, giving him the
last tendernesses in her power.
This is all I have gleaned from Karlovicz. More immediate help has come
from a new biography published in Warsaw in 1903 by Ferdinand Hoesick,
and, according to Alfred Nossig, destined to upset the supremacy of
Nieck's biography. This latest work is really the carrying out of the
plans of Chopin's friend and fellow student, Julian Fontana, who shared
joy and sorrow with him in Paris, and collected letters and data for a
biography. On Chopin's death Liszt sprang into print with a rhapsody
which led Fontana to defer his work. At his death in 1869 he left it
unfinished, bequeathing his documents to his son, who permitted Hoesick
the use of them.
Hoesick blames Chopin's notable melancholy to early experiences of love
requited, indeed, but not united in marriage. His love was as rathe as
his music.
Alfred Nossig, reviewing the biography, says of Chopin: "As his talent,
so did his heart mature early." It was at Warsaw, in his early youth,
that he found his first ideal. Although his father, a Frenchman who had
married a Polish woman, did not occupy a foremost position in society,
Frederic moved in the highest circles. In addition to his genius he had
always the princely way with him.
One of his admirers was the Duchess Ludvika Czetvertynska, whose
majestic figure and aureole of hair reminded one of th
|