the beginning to the
end, and to permit a second representation without showing the least sign
of disapprobation. For my part, I was so wearied with the first, that I
could not hold out to the end; and the moment I left the theatre, I went
into the Cafe de Procope, where I found Boissi, and others of my
acquaintance, who had probably been as much fatigued as myself. I there
humbly or haughtily avowed myself the author of the piece, judging it as
everybody else had done. This public avowal of an author of a piece
which had not succeeded, was much admired, and was by no means painful to
myself. My self-love was flattered by the courage with which I made it:
and I am of opinion, that, on this occasion, there was more pride in
speaking, than there would have been foolish shame in being silent.
However, as it was certain the piece, although insipid in the performance
would bear to be read, I had it printed: and in the preface, which is one
of the best things I ever wrote, I began to make my principles more
public than I had before done.

I soon had an opportunity to explain them entirely in a work of the
greatest importance: for it was, I think, this year, 1753, that the
programma of the Academy of Dijon upon the 'Origin of the Inequality of
Mankind' made its appearance. Struck with this great question, I was
surprised the academy had dared to propose it: but since it had shown
sufficient courage to do it, I thought I might venture to treat it, and
immediately undertook the discussion.

That I might consider this grand subject more at my ease, I went to St.
Germain for seven or eight days with Theresa, our hostess, who was a good
kind of woman, and one of her friends. I consider this walk as one of
the most agreeable ones I ever took. The weather was very fine. These
good women took upon themselves all the care and expense. Theresa amused
herself with them; and I, free from all domestic concerns, diverted
myself, without restraint, at the hours of dinner and supper. All the
rest of the day wandering in the forest, I sought for and found there the
image of the primitive ages of which I boldly traced the history. I
confounded the pitiful lies of men; I dared to unveil their nature; to
follow the progress of time, and the things by which it has been
disfigured; and comparing the man of art with the natural man, to show
them, in their pretended improvement, the real source of all their
misery. My mind, elevated by t