l become for all eternity the subject of Satan;
if he would escape, he must boldly break his bond, by saying an ave.'"
"It is the express condition of the agreement," said the unhappy monk,
"I must say no prayer, or that instant I become Satan's, body and soul."
"It is the express condition of the Saint," answered Roger, fiercely;
"pray, brother, pray, or thou art lost for ever."
So the foolish monk knelt down, and devoutly sung out an ave. "Amen!"
said Sir Roger, devoutly.
"Amen!" said Mercurius, as, suddenly, coming behind, he seized
Ignatius by his long beard, and flew up with him to the top of the
church-steeple.
The monk roared, and screamed, and swore against his brother; but it
was of no avail: Sir Roger smiled kindly on him, and said, "Do not fret,
brother; it must have come to this in a year or two."
And he flew alongside of Mercurius to the steeple-top: BUT THIS TIME THE
DEVIL HAD NOT HIS TAIL ROUND HIS NECK. "I will let thee off thy bet,"
said he to the daemon; for he could afford, now, to be generous.
"I believe, my lord," said the daemon, politely, "that our ways separate
here." Sir Roger sailed gayly upwards: while Mercurius having bound the
miserable monk faster than ever, he sunk downwards to earth, and perhaps
lower. Ignatius was heard roaring and screaming as the devil dashed him
against the iron spikes and buttresses of the church.
The moral of this story will be given in the second edition.
MADAME SAND AND THE NEW APOCALYPSE.
I don't know an impression more curious than that which is formed in a
foreigner's mind, who has been absent from this place for two or three
years, returns to it, and beholds the change which has taken place, in
the meantime, in French fashions and ways of thinking. Two years ago,
for instance, when I left the capital, I left the young gentlemen of
France with their hair brushed en toupet in front, and the toes of their
boots round; now the boot-toes are pointed, and the hair combed
flat, and, parted in the middle, falls in ringlets on the fashionable
shoulders; and, in like manner, with books as with boots, the fashion
has changed considerably, and it is not a little curious to contrast
the old modes with the new. Absurd as was the literary dandyism of those
days, it is not a whit less absurd now: only the manner is changed, and
our versatile Frenchmen have passed from one caricature to another.
The revolution may be called a caricature of freed
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