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The Project Gutenberg eBook, An Essay on Comedy, by George Meredith This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: An Essay on Comedy And the Uses of the Comic Spirit Author: George Meredith Release Date: May 13, 2005 [eBook #1219] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK AN ESSAY ON COMEDY*** Transcribed from the 1897 Archibald Constable and Company edition by David Price, email ccx074@coventry.ac.uk AN ESSAY ON COMEDY AND THE USES OF THE COMIC SPIRIT by George Meredith _This Essay was first published in 'The New Quarterly Magazine' for April 1877_. ON THE IDEA OF COMEDY AND OF THE USES OF THE COMIC SPIRIT {1} Good Comedies are such rare productions, that notwithstanding the wealth of our literature in the Comic element, it would not occupy us long to run over the English list. If they are brought to the test I shall propose, very reputable Comedies will be found unworthy of their station, like the ladies of Arthur's Court when they were reduced to the ordeal of the mantle. There are plain reasons why the Comic poet is not a frequent apparition; and why the great Comic poet remains without a fellow. A society of cultivated men and women is required, wherein ideas are current and the perceptions quick, that he may be supplied with matter and an audience. The semi-barbarism of merely giddy communities, and feverish emotional periods, repel him; and also a state of marked social inequality of the sexes; nor can he whose business is to address the mind be understood where there is not a moderate degree of intellectual activity. Moreover, to touch and kindle the mind through laughter, demands more than sprightliness, a most subtle delicacy. That must be a natal gift in the Comic poet. The substance he deals with will show him a startling exhibition of the dyer's hand, if he is without it. People are ready to surrender themselves to witty thumps on the back, breast, and sides; all except the head: and it is there that he aims. He must be subtle to penetrate. A corresponding acuteness must exist to welcome him. The necessity for the two conditions will explain how it is t
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