ur admiration; that distinguished people seized on the true
points both of beauty and grandeur in all the arts, and their
architecture has justly obtained the same high pre-eminence as their
sculpture, poetry, and eloquence."

[103] On the pomp of devotion in our ancient abbeys, Mr. R. P. Knight
thus interests his readers, in the chapter "Of the Sublime and
Pathetic," in the Inquiry into the principles of Taste:--"Every person
who has attended the celebration of high mass, at any considerable
ecclesiastical establishment, must have felt how much the splendour and
magnificence of the Roman Catholic worship tends to exalt the spirit of
devotion, and to inspire the soul with rapture and enthusiasm. Not only
the impressive melody of the vocal and instrumental music, and the
imposing solemnity of the ceremonies, but the pomp and brilliancy of the
sacerdotal garments, and the rich and costly decorations of the altar,
raise the character of religion, and give it an air of dignity and
majesty unknown to any of the reformed churches."

[104] In p. 130 and 179 of vol. ii. he thus adverts to the effects of
the levelling system of Launcelot Browne:--"From this influence of
fashion, and the particular influence of Mr. Browne, models of old
gardens are in this country still scarcer in nature than in painting;
and therefore what good parts there may be in such gardens, whether
proceeding from original design, or from the changes produced by time
and accident, can no longer be observed; and yet, from these specimens
of ancient art, however they may be condemned as old fashioned, many
hints might certainly be taken, and blended with such modern
improvements as really deserve the name."--"Were my arguments in favour
of many parts of the old style of gardening ever so convincing, the most
I could hope from them at present, would be, to produce _some caution_;
and to assist in preserving some of the few remains of old magnificence
that still exist, by making the owner less ready to listen to a
professor, whose interest it is to recommend total demolition." Mr. R.
P. Knight, in a note to his _landscape_, thus remarks on this subject:
"I remember a country clock-maker, who being employed to clean a more
complex machine than he had been accustomed to, very confidently took it
to pieces; but finding, when he came to put it together again, some
wheels of which he could not discover the use, very discreetly carried
them off in his pocket. The s