seeds; up the steep the
one-leafed pines, an oily nut. That was really all they could depend
upon, and that only at the mercy of the little gods of frost and rain.
For the rest it was cunning against cunning, caution against skill,
against quacking hordes of wild-fowl in the tulares, against pronghorn
and bighorn and deer. You can guess, however, that all this warring of
rifles and bowstrings, this influx of overlording whites, had made game
wilder and hunters fearful of being hunted. You can surmise also, for it
was a crude time and the land was raw, that the women became in turn the
game of the conquerors.

There used to be in the Little Antelope a she dog, stray or outcast,
that had a litter in some forsaken lair, and ranged and foraged for
them, slinking savage and afraid, remembering and mistrusting humankind,
wistful, lean, and sufficient for her young.

I have thought Seyavi might have had days like that, and have had
perfect leave to think, since she will not talk of it. Paiutes have
the art of reducing life to its lowest ebb and yet saving it alive on
grasshoppers, lizards, and strange herbs; and that time must have left
no shift untried. It lasted long enough for Seyavi to have evolved the
philosophy of life which I have set down at the beginning. She had
gone beyond learning to do for her son, and learned to believe it worth
while.

In our kind of society, when a woman ceases to alter the fashion of her
hair, you guess that she has passed the crisis of her experience. If she
goes on crimping and uncrimping with the changing mode, it is safe to
suppose she has never come up against anything too big for her. The
Indian woman gets nearly the same personal note in the pattern of her
baskets. Not that she does not make all kinds, carriers, water-bottles,
and cradles,--these are kitchen ware,--but her works of art are all of
the same piece. Seyavi made flaring, flat-bottomed bowls, cooking pots
really, when cooking was done by dropping hot stones into water-tight
food baskets, and for decoration a design in colored bark of the
procession of plumed crests of the valley quail. In this pattern she
had made cooking pots in the golden spring of her wedding year, when
the quail went up two and two to their resting places about the foot
of Oppapago. In this fashion she made them when, after pillage, it was
possible to reinstate the housewifely crafts. Quail ran then in the
Black Rock by hundreds,--so you will still fi