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rving stairway. Together we reached the library. Then, motioning de Lacy behind me, I swung open the door. The room was brightly illuminated, although not one of the candles had been lit. In the middle of it stood Wrexler, with Helene in his arms. Their lips were close-locked. It was a picture that an artist would have delighted to paint: the stiff, crimson skirts of Helene d'Harcourt's gown stood wide on either side, and Wrexler's blue doublet and hose against them was in bold relief. His long over-sleeves edged with fur hung gracefully. I could not speak. This mating of man with ghost was almost more than my poor mortal brain could bear, yet with every atom of my being I wished that I could have been in Wrexler's place. I remembered the one chaste kiss I had had from her, and I almost fainted at the thought of possessing those lips for my own, as Wrexler was doing. Strangely enough, mingling with this emotion was another--a feeling of fear and anxiety for my friend. Cold horror that froze my blood kept me rooted to the spot. Behind me de Lacy had fallen to his knees. I could hear him repeating the Latin words of a prayer. All at once I saw where the light was coming from. The entire north wall, ordinarily lined with books, had gone. In its stead was a stone wall, and in the center of the wall was a low-hung Gothic door, carved and ornate. It was standing open, and beyond was a pale, luminous yellow mist. I could see nothing of what else was beyond the door, for the yellow haze filled the entire space. It was like a golden fog, and its radiance lighted the library with a strange, unearthly glow. Its luminosity glowed upon Helene and Wrexler like a spotlight. For a moment I thought Rougemont, de Lacy, everything of the past weeks, must have been a dream and that I was watching a cinema of past days. All at once, before my astonished eyes Helene gently drew her lips away from Wrexler's. She slipped from his arms and extended her hands to him. "Come," I heard her say. Wrexler had been right: her voice was like golden honey. It was like the music of willow trees in early spring. Wrexler grasped her hands. For the first time I saw his face. Joy transfigured it, such joy as I have never seen before, and never shall see again. Helene moved backward, slowly but surely, drawing him toward the little Gothic door that stood open. With her soft lips half parted, she whispered, "Come." "Wrexler," I cried suddenly.
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