rg, was the woman who most completely typified the spirit and
tone of the eighteenth-century _classique_ in everything that belonged
to the ancient regime which passed away with the society of 1789.
She was the daughter of the Duc de Villeroy, and married the Duc de
Boufflers in 1721; after the death of the latter in 1747, and after
having been the mistress of M. de Luxembourg for several years, she
married him in 1750. Her youth was like that of most women of the
social world. A _savante_ in intrigues at court, present at all
suppers, bouts, and pleasure trips as lady-of-the-palace to the queen,
intriguing constantly, holding her own by her sharp wit, in a society
of _roues et elegants enerves_ she soon became a leader. Mme. du
Deffand left a striking portrait of her:
"Mme. la Duchesse de Boufflers is beautiful without having the air
of suspecting it. Her physiognomy is keen and piquant, her expression
reveals all the emotions of her soul--she does not have to say
what she thinks, one guesses it. Her gestures are so natural and so
perfectly in accord with what she says, that it is difficult not to be
led to think and feel as she does. She dominates wherever she is, and
she always makes the impression she desires to make. She makes use of
her advantages almost like a god--she permits us to believe that we
have a free will while she determines us. In general, she is more
feared than loved. She has much _esprit_ and gayety. She is constant
in her engagements, faithful to her friends, truthful, discreet,
generous. If she were more clairvoyant or if men were less ridiculous,
they would find her perfect."
On one occasion M. de Tressan composed this famous couplet:
"Quand Boufflers parut a la cour,
On crut voir la mere d'Amour,
Chacun s'empressait a lui plaire,
Et chacun l'avait a son tour."
[When Boufflers appeared at court,
The mother of love was thought to be seen,
Everyone became so eager to please her,
And each one had her in his turn.]
One day Mme. de Boufflers mumbled this before M. de Tressan, saying to
him: "Do you know the author? It is so beautiful that I would not
only pardon her, but I believe I would embrace her." Whereupon he
stammered: _Eh bien! c'est moi._ She quickly dealt him two vigorous
slaps in the face. All feared her; no one equalled her in skill and
shrewdness, or in knowing and handling men.
After her marriage to the Marechal de Luxembourg, she decided, about
1750, to
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