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r crew which would render them comparatively helpless and innocuous; but in combination they possess all the travelling capacities of a large warship, conjoined with the deadly powers at close quarters of a number of torpedo boats, all acting closely in concert upon a single plan. The chief naval lesson taught during the Spanish-American War was the need for improving the sea-going qualities of the torpedo-boat before it can be regarded as a truly effective weapon in naval warfare. It was announced at one stage that if the Spanish torpedo-boat fleet could have been coaled and re-coaled at the Azores, and two or three other points on the passage across to America, it might have been brought within striking distance of the United States cruisers operating against Santiago. This hypothetical statement provided but cold comfort for the Spaniards, who had been persuaded to put so much of their available naval strength into a type of craft utterly unsuited for operations complying with the first great requirement of naval warfare, namely, that the proper limit of the campaign coincides with the shores of the enemy's country. But when the naval architect and the engineer have evolved a class of torpedo-using vessel which can both travel far and strike hard, and which, moreover, can stand a few well-directed shots penetrating her without succumbing to their effect, a new era will have been opened up in naval warfare--an era of high explosive weapons requiring to strike home with dash and bravery in spite of risk from shot and shell; but, like the bayonet on land, capable of overthrowing all war-machines which can only strike from a considerable distance. CHAPTER XII. MUSIC. A perfect _sostenuto_ piano has been the dream of many a musician whose ardent desire it was to perform his music exactly as it was written. A sustained piano note is, indeed, the great mechanical desideratum for the music of the future. In music, as at present written and published for the piano, which is, and must continue to be, the real "King of Instruments," there is a good deal of make-believe. A long note--or two notes tied in a certain method--is intended to be played as a continued sound, like the note of an organ; whereas there is no piano in existence which will produce anything even approximately approaching to that effect. The characteristic of the piano as an instru
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