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fts was such that the child might be led in their use through the world's great architectural epochs from Egypt to Rome.[59] [59] "As the gifts proceed from the first to the sixth, observation is demanded with increasing strictness, relativity more and more appreciated, and the opportunity afforded for endless manifestations of the constructive faculty, while all the time impressions are forming in the mind which in due time will bear rich fruits of mathematical and practical knowledge as well as aesthetic culture, for the dawning sense of the beautiful as well as of the true is gaining consistency and power." (Karl Froebel.) Forms of Symmetry. Although with this gift we cannot produce symmetrical forms in as great diversity as with the fifth, yet the materials are productive to the inventive mind, and when the pieces are arranged with care and taste, beautiful figures may always be developed, those having a triangular centre being novel and especially pleasing. Although not as diversified, however, they have the added advantage of approaching nearer the plane; and that this progression may be more clearly shown, it seems evident that the symmetrical forms should only be produced by laying the columns, "square-faced blocks" and bricks, flat upon the table, and that the practice, advised by some authorities, of changing the figures by placing the blocks erect, or half erect, should be discouraged. Forms of Knowledge. In the forms of knowledge we find again much less diversity than in the fifth gift,--the rectilinear solids and consequent absence of oblique angles limiting us in the construction of geometrical forms. The blocks, however, offer excellent means for general arithmetical instruction, for working out problems as to areas, for further illustration of dimension, and for building many varieties of parallelopipeds, square prisms, and cubes, and studying the parallelograms which bound them. The elements of this knowledge, it is true, were gained with the fourth gift, but we must remember that interest in any subject is not necessarily decreased by repetition, and that the value of review depends upon whether or not it is mechanical.[60] [60] "What makes Froebel's gifts particularly instructive is, indeed, the fact that the most varied materials constantly lead to the same observations, but always under different conditions, so that we obtain the
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