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time to time; doing everything, and stooping to everything, he tells us, in order to be tolerated by those priests and priestlets whom he abhorred and despised from the bottom of his heart. "After so many frenzies, and efforts to make myself a free man," he writes, in his autobiography, "I found myself suddenly transformed into a man paying calls, and making bows and fine speeches in Rome, exactly like a candidate on promotion in prelatedom." At this price of bitter humiliation, nay, of something more real than mere humiliation, Alfieri bought the privilege of frequenting the palace of Cardinal York. But it was a privilege for which you could not pay once and for all; its price was a black-mail of humbugging, and wheedling, and dirt-eating. Alfieri hated and despised all sovereigns and all priests; and if there were a sovereign and a priest whom he despised and hated more than the rest, it was the then reigning Pius VI., a vain, avaricious, weak-minded man, stickling not in the least at humiliating Catholicism before anyone who asked him to do it, by no means clean-handed in his efforts to enrich his family, without courage, or fidelity to his promise; a man whose miserable end as the brutally-treated captive of the French Republic has not been sufficient to raise to the dignity of a martyr. Of this Pope Pius VI. did Alfieri crave an audience, and to him did he offer the dedication of one of his plays; nay, the man who had sacrificed his fortune in order to free himself from the comparatively clean-handed despotism of Sardinia, who had stubbornly refused to be presented to Frederick the Great and Catherine II., who had declined making Metastasio's acquaintance on account of a too deferential bow which he had seen the old poet make to Maria Theresa; the man who had in his portfolios plays and sonnets and essays intended to teach the world contempt for kings and priests, this man, this Alfieri, submitted to having his cheek patted by Pope Braschi. This stain of baseness and hypocrisy with which, as he says, he contaminated himself, ate like a hidden and shameful sore into Alfieri's soul; yet, until the moment of writing his autobiography, he had not the courage to display this galling thing of the past even to his most intimate friends. To Louise d'Albany, to the woman between whom and himself he boasted that there was never the slightest reticence or deceit, he screwed up the force to tell the tale of that interview on
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