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ars in a tide of sound that swept unresisted through the wide spaces of the cathedral. As the echoing song grew fainter, and ebbed away into the twilight shadows, my gaze returned to my immediate surroundings, and rested unconcernedly upon a man sitting a seat or two in front of me, beside one of the massive piers. He seemed to be in a most distressed and nervous condition, for he peered about him with an evident alarm, which was pitiful to witness. As he turned his face about I saw it was haggard with fear and sorrow, or remorse; his hair was matted, and beads of sweat were thick upon his brow. It was as if he were terrified of impending danger. Yet what could he be afraid of in the great calm of the solemn cathedral? The benediction had been given, and the sparse congregation had now risen and was slowly departing, yet he rose not, but seemed to be hiding from view as he crouched behind the form in front of him, and edged his way slowly within the shadow of the heavy pier to his left hand. I sat on listening to the voluntary, and it held me by its strangeness. I knew that the Dean and Chapter's organist was away on holiday, and I wondered who the strange player might be who was setting forth his own soul in the notes of the pealing organ. He sang of fellowship, of comradeship in ancient days through stress of adventure and deadly combat; then with organ sobs that shook the heart, of death and the infinite loneliness of death, and of the inappeasable sorrow of the survivor lamenting his Jonathan. A pause of black silence. Then brokenly a little sough of life began to re-arise--a growth of hope--the fierce determination of revenge--quickening with flame--breaking into triumph. And now as the lights were being turned out, and gloom came rushing in upon the empty spaces of the cathedral I saw the unhappy figure shift indecisively as he rose from his seat in front of me, glance hurriedly about as if for a way of escape, then moving unsteadily round the pier, to my surprise he shuffled off in the direction of the organ. The music seemed to fascinate him, to paralyse his will, even as the sphex paralyses its victim with its sting. The organist was now engaged upon the coda of his fugue; the former motifs were rehearsed--love, sorrow, and revenge. Triumph resounded from the loft when I heard above the quickening notes a sudden patter of heels across the nave; then a pitiful drumming of fists upon the barred door th
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