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n scudi. The laborers in the fields have so far learned the value of the stones they find, that it becomes almost impossible anywhere in the vicinity of Rome to buy them of the finders, even at the most extravagant prices. Unable to distinguish in quality, and knowing that certain stones have brought such and such prices, they refuse to sell any for a smaller price, but retain them until the next _festa_, when they carry them in succession to all the _mercanti di pietre_ in Rome, to see which will offer the highest price,--a kind of vendue which evinces greater trade-cleverness than the Italians get credit for, and which has the effect of bringing the dealers at once to their best terms. No matter what price you offer, they never accept it until they have tried the value it has for others. It is only when a stone has such great value that it justifies paying a price passing the imagination of the peasant, that the buyer can profit by buying from the first hand. Of the finer kind of intaglii, there is little danger of buying counterfeits, since the art of gem-cutting is too low now to permit of such counterfeits as might be mistaken for first-rate antiques. Of the common kind, again, there are those which, cut with a certain conventionalism in design and a facility in execution which incessant repetition only can produce, cannot be imitated except at a cost utterly beyond their market value. Like the designs on the Etruscan vases, their main excellence is, that, being so good, they should be done so facilely. An imitator loses the rapidity and spirit of execution. The mass of imitations are of things only tolerably good, and of things whose characteristics are in the execution merely, as in the Roman and conventional Etruscan work. I will close with one bit of advice to my readers. If your fancy finds any satisfaction in _Scarabaei ed altri_, let your acquisition stop with the first example,--take a sample brick from antiquity. If you once commence collecting them in ever so small a way, or with any excuse to your own pocket, you will find yourself subject to a fascination more irresistible than the love of money,--more absorbing than the search for the philosopher's stone. While you are in Rome, you will find yourself unable to keep your feet from ways that lead to the antiquaries, or your money out of the hands of a class (with two or three exceptions) of cheats. You will find the extravagances of one day coming t
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