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ing at last it seems, How can you read the writing In the vacancy of dreams? I would have you look over my shoulder Ere the long, dark year is colder, And mark that as memory grows older, The brighter it pulses and gleams. And if I should try to render The tissues of fugitive splendour That fled down the wind of living, Will they read it some day in the future, And be conscious of an awareness In our old lives, and the bareness Of theirs, with the newest passions In the last fad of the fashions? * * * * * How often have we risen without daylight When the day star was hidden in mist, When the dragon-fly was heavy with dew and sleep, And viewed the miracle pre-eminent, matchless, The prelusive light that quickens the morning. O crystal dawn, how shall we distill your virginal freshness When you steal upon a land that man has not sullied with his intrusion, When the aboriginal shy dwellers in the broad solitudes Are asleep in their innumerable dens and night haunts Amid the dry ferns, in the tender nests Pressed into shape by the breasts of the Mother birds? How shall we simulate the thrill of announcement When lake after lake lingering in the starlight Turn their faces towards you, And are caressed with the salutation of colour? How shall we transmit in tendril-like images, The tenuous tremor in the tissues of ether, Before the round of colour buds like the dome of a shrine, The preconscious moment when love has fluttered in the bosom, Before it begins to ache? How often have we seen the even Melt into the liquidity of twilight, With passages of Titian splendour, Pellucid preludes, exquisitely tender, Where vanish and revive, thro' veils of the ashes of roses, The crystal forms the breathless sky discloses. The new moon a slender thing, In a snood of virgin light, She seemed all shy on venturing Into the vast night. Her own land and folk were afar, She must have gone astray, But the gods had given a silver star, To be with her on the way. * * * * * I can feel the wind on the prairie And see the bunch-grass wave, And the sunlights ripple and vary The hill with Crowfoot's grave, Where he "pitched off" for the last time In sight of the Blackfoot Crossing, Where in the sun for a pastime You marked the site of his tepee With a circle of stones. Old Napiw Gave you credit for that day. And well I recall the weirdness Of th
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