vid vignettes of the countryside which Mr. Fox knows so well, told
with the utmost economy of speech and with a fine sense of atmospheric
values. These stories are a happy illustration of the better regionalism
that is characteristic of contemporary American fiction, and like
"Ommirandy" will prove valuable records to a later generation of a life
that even now is rapidly passing away.
THE WAR, MADAME, by _Paul Geraldy_ (Charles Scribner's Sons). The
delicate fantasy of this little story only enhances the poignant tragedy
that it discloses. Somehow it suggests a comparison with "Four Days" by
Hetty Hemenway, although it is told with greater deftness and a more
subtle irony. In these pages pulses the very heart of France, and it is
compact of the spirit that has made France a mistress to die for. The
translation is admirable.
COLLECTED POEMS by _Wilfrid Wilson Gibson_ (The Macmillan Co.). In these
noble studies of English social life among the laboring classes Mr.
Gibson has collected all of his stories in verse which he wishes to
retain in his collected works. He has already become an influence on the
work of many of his contemporaries, and the qualities of incisive
observation, warm humanity, and subtle art which characterize his best
work are adequately disclosed in his poems. I am sure that the reader of
short stories will find them as fascinating as any volume of prose
published this year, and the sum of all these poems is an English
_Comedie Humaine_ which portrays every type of English labor in rich
imaginative speech. The dramatic quality of these stories is achieved by
virtue of a constant economy of selection, and a nervous singing speech
as authentic as that of Synge.
OMMIRANDY by _Armistead C. Gordon_ (Charles Scribner's Sons). In this
collection Mr. Gordon, whose name is so happily associated with that of
Thomas Nelson Page, has collected from the files of Scribner's Magazine
the deft and insinuating chronicles of negro life on a Virginia
plantation which have attracted so much favorable comment in recent
years. This collection places Mr. Gordon in the same rank as the author
of "Marse' Chan," as a literary artist of the vanished South. These
transcripts from the folk life of the people are told very quietly in a
persuasive style that reveals a rich poetic sense of human values. The
mellow atmosphere of these stories is particularly noteworthy, and Mr.
Gordon's instinctive sympathy with his subject has s
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