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The Project Gutenberg eBook, The Rise of the Democracy, by Joseph Clayton This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Rise of the Democracy Author: Joseph Clayton Release Date: October 23, 2006 [eBook #19609] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE RISE OF THE DEMOCRACY*** E-text prepared by Afra Ullah, Keith Edkins, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net/) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 19609-h.htm or 19609-h.zip: (http://www.gutenberg.net/dirs/1/9/6/0/19609/19609-h/19609-h.htm) or (http://www.gutenberg.net/dirs/1/9/6/0/19609/19609-h.zip) THE RISE OF THE DEMOCRACY by JOSEPH CLAYTON Author of "Leaders of the People" "Bishops as Legislators," etc. etc. With Eight Full-Page Plates Cassell and Company, Ltd. London, New York, Toronto and Melbourne 1911 All Rights Reserved [Illustration: KING JOHN GRANTING MAGNA CHARTA From the Fresco in the Royal Exchange, by Ernest Normand. _By permission of Messrs. S. Hildesheimer & Co., Ltd._] PREFACE This short account of the rise of political democracy is necessarily but an outline of the matter, and while it is not easy to define the exact limits, there is no difficulty in noting omissions. For instance, there is scarcely any reference to the work of poets or pamphleteers. John Ball's rhyming letters are quoted, but not the poems of Langland, and the political songs of the Middle Ages are hardly mentioned. The host of political pamphleteers in the seventeenth century are excluded, with the exception of Lilburne and Winstanley, whose work deserves better treatment from posterity than it received from contemporaries. Defoe's vigorous services for the Whigs are unnoticed, and the democratic note in much of the poetry of Burns, Blake, Byron and Shelley is left unconsidered, and the influence of these poets undiscussed. The anti-Corn Law rhymes of Ebenezer Eliot, and the Chartist songs of Ernest Jones were notable inspirations in their day, and in our own time
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