The Project Gutenberg eBook, The Rise of the Democracy, by Joseph Clayton
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: The Rise of the Democracy
Author: Joseph Clayton
Release Date: October 23, 2006 [eBook #19609]
Language: English
Character set encoding: ISO-646-US (US-ASCII)
***START OF THE PROJECT GUTENBERG EBOOK THE RISE OF THE DEMOCRACY***
E-text prepared by Afra Ullah, Keith Edkins, and the Project Gutenberg
Online Distributed Proofreading Team (http://www.pgdp.net/)
Note: Project Gutenberg also has an HTML version of this
file which includes the original illustrations.
See 19609-h.htm or 19609-h.zip:
(http://www.gutenberg.net/dirs/1/9/6/0/19609/19609-h/19609-h.htm)
or
(http://www.gutenberg.net/dirs/1/9/6/0/19609/19609-h.zip)
THE RISE OF THE DEMOCRACY
by
JOSEPH CLAYTON
Author of "Leaders of the People" "Bishops as Legislators," etc. etc.
With Eight Full-Page Plates
Cassell and Company, Ltd.
London, New York, Toronto and Melbourne
1911
All Rights Reserved
[Illustration: KING JOHN GRANTING MAGNA CHARTA
From the Fresco in the Royal Exchange, by Ernest Normand.
_By permission of Messrs. S. Hildesheimer & Co., Ltd._]
PREFACE
This short account of the rise of political democracy is necessarily but an
outline of the matter, and while it is not easy to define the exact limits,
there is no difficulty in noting omissions. For instance, there is scarcely
any reference to the work of poets or pamphleteers. John Ball's rhyming
letters are quoted, but not the poems of Langland, and the political songs
of the Middle Ages are hardly mentioned. The host of political pamphleteers
in the seventeenth century are excluded, with the exception of Lilburne and
Winstanley, whose work deserves better treatment from posterity than it
received from contemporaries. Defoe's vigorous services for the Whigs are
unnoticed, and the democratic note in much of the poetry of Burns, Blake,
Byron and Shelley is left unconsidered, and the influence of these poets
undiscussed. The anti-Corn Law rhymes of Ebenezer Eliot, and the Chartist
songs of Ernest Jones were notable inspirations in their day, and in our
own time
|