of, 260
Athletes: Sistine Chapel, 13, note; 164, 167, 168, 173-178, 211
Athens, 156
Attalante, 146
Avignon, 293
Bacchus: carved in Rome, 24, 107, 108
Baccio d'Agnolo, 116
Baglioni: the traitor, 203
Baldassare: _see_ Peruzzi
Baldassari: del Milanese, buys the god of Love, 21
Bandinelli: Baccio, studies the Cartoon, 126;
Hercules and Cacus, 204, 270, 295
Bandini: Francesco, 236, 246
Baptistry: Florence, 255
Bargello:
Florence, mask of a faun, 11;
Tondo, 121, 129;
Apollo, 205, 228;
Brutus, 249
Bartolomei: Messer, 231
Bartolomeo: Amanati, letter to, 238
Bartolommea: widow of Buonarroto, 201
Bas-relief: Florentine love of, 121
Bassano, 174
Bathers: _see_ Cartoon
Battista Benti: carves details in the Tomb of Julius II., 226
Battista del Cinque: carpenter, 197
Batista Lorenzi, 253, 262
Beatrice: of Mantua, 3
Beaumont: Sir George, presents a tondo to the Royal Academy, 121
Belvedere: works ordered by Julius III., 78
Beinbo, 76
Bene: Benedetto, copies the Leda, 204
Bentivogli:
law, 18;
return to Bologna, 40, 141
Benvenuto: _see_ Cellini
Bernardo Cencio: Canon of St. Peter's, 180, 181
Bernardo da Bibbiena, 146
Bernardo della Ciecha, 116
Berlin, 106
Bertoldo: the master of Michael Angelo in Sculpture, 99, 100, 102
Berugetta: Alonso, 126
Biagio da Cesena: objects to nude figures, 222
Bibbiena: Cardinal, rebukes Cardieri, l7
Bible:
the master's study, 86;
of Raphael, 173
Bini: Bernardo, trustee for the Tomb, 51, 69
Blois: Chateau, 251
Boboli Gardens: the grotto with four statues, 129, 227
Boccaccio, 19
Bologna:
flight to, 18-20;
with Julius II. at, 39, 40;
conversations at, 90, 132;
the Colossal Bronze destroyed, 141, 171, 195, 291
Bonasoni:
Giulio, engravings, a Pieta, 230;
portrait of the master, 253
Bonifazio: Count, 3
Bononiensis: Tudius, engraves a Pieta, 230
Boon companions: of the master, 264
Borgerini: Pier Francesco, 182
Borghini: Don Vincenzo, opens the coffin, 261
Borgia: Cesare, _see_ Valentino
Borgo, 178, 238
Botticelli:
Sandro, letter addressed to him, 23, 107, 116;
Popes and histories by, 166
Bramante:
destroys S. Petronilla, 25;
Tomb of Julius, 31;
his errors, 32;
rebuilding of S. Peter's, 34;
suggests the painting of the vault, 41;
and Raphael to finish it, 47;
his shortcomings, 48;
scaffold, 82;
has the Pope's ear in Rome, 130;
vault painting, 131, 164;
"a brave archi
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