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his career; while Mr. Proctor's long acquaintance with Lamb becomes the setting to a more careful picture than we have yet had of his singularly great and unselfish life; and we behold, not a study of the man in this or that mood only, but a portrait in which his whole character is seen. The sweetest and gentlest of hosts, moving among his guests and charming all hearers with his stammered, inimitable pleasantry; the clerk at his desk at the India House, and finally released from it into a life of illimitable leisure; the quaint little scholar of Christ's Hospital; the quaint old humorist taking his long walks about his beloved London; the author, known and endeared by his books; the careworn and devoted man, hurrying through the streets with his maniac sister on his arm, to place her in the shelter of a mad-house,--it is not some one of these alone, but all of these together, that we remember, after the perusal of this Memoir, so graceful in manner, so simple in style, and so thoroughly beautiful and unaffected in spirit. There is no story from which the reader can turn with a higher sense of another's greatness and goodness, or an humbler sense of his own. _Character and Characteristic Men._ By EDWIN P. WHIFFLE. Boston: Ticknor and Fields. If we should say this is a book that brings its author under its title, and that he is in every page of it to the unconscious subject of his own pen, we might sufficiently express our sense of its reality and vital strength. But no self-introduction could be more modest or undesigned. We know of no volume in which vigor walks with less attendance of vanity, or less motion of covert egotism in the stalwart stride; yet the _style_, which proverbially is the _man_, does not lack decisive stamp, but is too peculiar to be confounded with any other. It is not flaming, or flowing, or architectural. It is not built, but wrought, with blows of the hammer. We should emphasize the writer's historic taste, but that his learning is so at the service of his philosophy that it never burdens, but only arms. There is a tough welding of principle with fact, and fetching of opposite poles together in the constant circulation betwixt ideas and events. Sometimes an excess of antithesis shows a little too much the wrinkled brow of thought, striving to put more into a sentence than it will fairly carry, and corrugating the elsewhere smoother lines,--as in a hilly country there was said to be too much
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