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The bow touched the strings once or twice gently and ineffectively, and then, his lips twitching, his eyelids as much closed as the scars on their lids allowed them to be, he began to play. It was the playing of one who had forgotten nearly everything of his art, but it was sweet and true and strangely touching. To the boy it was a miracle. He listened with the muscles of his face drawn tight in an effort at self-control unusual in such a child, his square, brown hands digging convulsively into the dry earth under the grass beside him. And as the shadows of the trees crept over the road, and the oppressive heat began to relent a little, the plaintive music went on and on, and scant, painful tears stood on the player's face. At last he stopped, and frowning in a puzzled way, said hoarsely, "What is the matter, Papillon, where have we got to?" The dog's tail stirred in answer, and at the same moment the other listener burst into loud, emotional sobs, and the old man remembered. "That's it, that's it. It's the boy who made me remember--'_Te rappelles tu, te rappelles--tu, ma Toinon?_' Why do you cry, little boy? Why do you cry?" The boy dried his eyes on his smock sleeve. "It--I am ten, too big to cry," he returned, with the evasion born in him of his race, adding with the frankness peculiar to his own personality, "but I did cry. It was beautiful." The old man rose, and took up the dog's lead. "Beautiful. Yes. There was a time----" He paused for a second. "What is your name, little one?" "Victor-Marie Joyselle." "_Eh b'en_, Victor-Marie Joyselle, listen to me. When you have learned to play the violin----" but Bullet-Head interrupted him. "How do you know that I mean to learn to play the violin?" he queried, drooping the outer corners of his eyelids in quick suspicion, "I did not say so." "I know. And when you have learned, remember me. And never let anything--come here that I may put my hand on your head that you do not forget--never let anything--duty, pleasure, money, or--or a _woman_--come between you and your music." The boy stared seriously into the strange face bent over him, the face from which so much that was bad seemed for the moment to have been swept away by the luminousness of the idea that had come to the half-idiotic brain. "'Duty, pleasure, money or--'" "Or a _woman_" cried the fiddler, his face contorting with anger. "God curse them all!" Muttering and frowning he jerked
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