Giustiniani
says. Here also beside this wonder you may see the cup of the Holy
Grail, stolen by the French, who, forced to return it, sent this broken
green glass in place of the perfect emerald they carried away; or maybe,
who knows, it was but glass in the beginning. Yet, indeed, the Genoese
paid a great price for it, thinking it truly the emerald of the Precious
Blood, but they may have deceived themselves in the joy that followed
the winning of the Holy City: though that is not like Genoa. However
this may be, and with relics you are as like to be right as wrong
whatever your opinion, there is but little else worth seeing in S.
Lorenzo.

As you follow the Via S. Lorenzo upwards, you come presently on your
left to the Piazza Umberto Primo, in which is the Palazzo Ducale, the
ancient palace of the Doges, rebuilt finally in 1777; and at last,
still ascending, you find yourself in the great shapeless Piazza
Deferrari, with its statue to Garibaldi, while at the top of the Via S.
Lorenzo on your right is the Church of S. Ambrogio, built by
Pallavicini, with three pictures, a Guido Reni, the Assumption of the
Virgin, and two Rubens, the Circumcision and S. Ignatius healing a
madman. Not far away (for you turn into Piazza Deferrari and take the
second street to the left, Strada S. Matteo) is the great Doria Church
of S. Matteo, in black and white marble, a sort of mausoleum of the
Doria family. Now, the family of Doria, one of the most ancient in
Genoa, the Spinola clan alone being older, emerges really about 1100,
and takes its rise, we are told, from Arduin, a knight of Narbonne, who,
resting in Genoa on his way to Jerusalem, married Oria, a daughter of
the Genoese house of della Volta. However this may be, in 1125 a certain
Martino Doria founded the Church of S. Matteo, which has since remained
the burial-place and monument of his race. Martino Doria is said to have
become a monk, and to have died in the monastery of S. Fruttuoso at
Portofino, where, too, lie many of the Doria family; but certainly as
early as 1298 S. Matteo became the monument of the Doria greatness, for
Lamba Doria, the victor of Curzola, where he beat the Venetian fleet,
was laid here, as you may see from the inscription on the old
sarcophagus at the foot of the facade of the church to the right. The
facade itself is covered with inscriptions in honour of various members
of the family: first, to Lamba, with an account of the battle. It reads
as foll