rrara
hills descending from their glittering pinnacles by long lines to the
headlands of the Spezzian Gulf. The immeasurable distance was all
painted in sky-blue and amethyst; then came the golden green of the
dwarf firs; and then dry yellow in the grasses of the dunes; and then
the many-tinted sea, with surf tossed up against the furthest cliffs.
It is a wonderful and tragic view, to which no painter but the Roman
Costa has done justice; and he, it may be said, has made this
landscape of the Carrarese his own. The space between sand and
pine-wood was covered with faint, yellow, evening primroses. They
flickered like little harmless flames in sun and shadow, and the
spires of the Carrara range were giant flames transformed to marble.
The memory of that day described by Trelawny in a passage of immortal
English prose, when he and Byron and Leigh Hunt stood beside the
funeral pyre, and libations were poured, and the 'Cor Cordium' was
found inviolate among the ashes, turned all my thoughts to flame
beneath the gentle autumn sky.

Still haunted by these memories, we took the carriage road to Pisa,
over which Shelley's friends had hurried to and fro through those last
days. It passes an immense forest of stone-pines--aisles and avenues;
undergrowth of ilex, laurustinus, gorse, and myrtle; the crowded
cyclamens, the solemn silence of the trees; the winds hushed in their
velvet roof and stationary domes of verdure.

* * * * *

_PARMA_

Parma is perhaps the brightest _Residenzstadt_ of the second class in
Italy. Built on a sunny and fertile tract of the Lombard plain, within
view of the Alps, and close beneath the shelter of the Apennines, it
shines like a well-set gem with stately towers and cheerful squares in
the midst of verdure. The cities of Lombardy are all like large
country houses: walking out of their gates, you seem to be stepping
from a door or window that opens on a trim and beautiful garden, where
mulberry-tree is married to mulberry by festoons of vines, and where
the maize and sunflower stand together in rows between patches of flax
and hemp. But it is not in order to survey the union of well-ordered
husbandry with the civilities of ancient city-life that we break the
journey at Parma between Milan and Bologna. We are attracted rather by
the fame of one great painter, whose work, though it may be studied
piecemeal in many galleries of Europe, in Parma has a fulness,
l