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own judge and assign him his place, Our reviewer would crawl all about it and round it, And reporting each circumstance just as he found it, Without the least malice--his record would be Profoundly aesthetic as that of a flea, Which, supping on Wordsworth, should print, for our sakes, Recollections of nights with the Bard of the Lakes, Or, borne by an Arab guide, venture to render a General view of the ruins of Denderah.' He draws with a few strokes of his magical charcoal a sharp silhouette of Brownson upon the wall of our waiting curiosity, fills in his sketch of Parker with a whole wilderness of classical shades, disposes of Willis with a kiss and a blow, gives pages of sharp pleasantries to Emerson, pays a graceful tribute to Whittier, and Hawthorne,-- 'His strength is so tender, his wildness so meek, That a suitable parallel sets one to seek,-- He's a John Bunyan Fouque, a Puritan Tieck; When Nature was shaping him, clay was not granted For making so full-sized a man as she wanted, So to fill out her model, a little she spared From some finer-grained stuff for a woman prepared, And she could not have hit a more excellent plan For making him fully and perfectly man.' Turning backward from these evidences of Lowell's ripening powers to his early poems, astonishment at his versatility is the first emotion produced. It is hard to believe that the 'Biglow Papers' slid from under the hand that wrote the 'Prometheus' and the 'Legend of Brittany.' His genius flashes upon us like a certain flamboyant style of poetic architecture--the flowing, flame-like curves of his humor blending happily with the Gothic cusps of veneration for the old, with quaint ivy-leaves, green and still rustling under the wind and rain, springing easily out of its severer lines. What resistless magic is there in the fingers whose touch upon the same rich banks of keys, summons solemn, vibrant peals as of Beethoven's grandest fugues, endless harmonies as of the deep seas, and the light and graceful fantasies of Rossini, which are as the glad sunshine upon their waves. Truly the poet's gift is a divine and an awful one. His heart must needs be proud and humble too, who is claimed as nearer of kin than a brother by myriads of stranger souls, each, perhaps, owning its separate creed, and in whose unspoken prayers his name is ever present. In his 'Conversations on some of the old Poets,' we discover the alembic t
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