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ot till another day dawned, did the rumbling of the carriages cease, that were conveying home the sons and daughters of dissipation. And thus passed the night, leaving no trace upon earth, for the waves of time have obliterated all its footprints. But its record is on high, and it will never be forgotten by the Eternal One, whose eye slumbereth not. Such is human life, and such is the race of man. Although we are all bound together by one common brotherhood, the song of the gay is ever the funeral dirge to the sorrowing. Perchance that night might have disclosed still darker pictures in the hidden recesses of our village, for, oh, there are dens of foul pollution, that send their infectious taint over the pure air of our community, calling the blush of shame to the cheek of conscious virtue, and creating an ardent desire in the breast of the philanthropist, to go forth and labor in the vineyard of the Lord, that these foul spots may be washed in his precious blood, and made clean. O, could all the misery that was extant in the village have been presented to the thoughtless revellers, could they have danced on? Would not the tear of sympathy have moistened the cheek, and the still small voice whispered of a solemn time that must come to them? O, it is wise to receive the admonition, "Be ye also ready, for in such an hour as ye think not, the Son of Man cometh." Faint, indeed, are the delineations from Memory's tablet, upon this little map, but enough, perchance, to lead the contemplative mind to reflect upon the vicissitudes and changes of its little day, and teach us to prepare for a better world, "where change comes not." Contemplations in a Grave Yard. 'Twas on one pensive even tide, When restless toil and day had fled; I laid all airy scenes aside, To wander o'er the silent dead. The rising moon from eastern sky, O'er the lone heath shed languid light, And boding owls with fearful cry Heightened the solemn gloom of night. With pensive steps I reach'd the pile, Where well wrought limbs return to clay; And tow'ring marble's pompous style Points out the great, the rich, the gay. But where's ambition's piercing eye, His restless look, his haughty air? They're vanish'd all, and near him lie Frames that once fed on black despair. What though the marble's rais'd o'er one, To tell his former wealth or worth, While a green turf, or mo
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